Photography news

• A Practical Beginner's Guide to Using ISO to Balance Exposure

  16-12-2022 22:02 via fstoppers.com
  Along with aperture and shutter speed, ISO is one of the three fundamental parameters that control the balance of exposure in your images, and as such, mastering it is crucial to becoming a competent and confident photographer. If you are new to photography and looking to improve, check out this great video tutorial that will give you a practical guide to ISO and how to use it in your work.[ Read More ]
  
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• Review of the SmallRig 25L Outdoor Camera Backpack

  05-10-2026 18:03 via fstoppers.com
  
  SmallRig is well known for its video-related accessories. Everyone knows about cages and all that comes with them. Perhaps also about the tripods and video lights. Now SmallRig has added a backpack to its ever-increasing product line. I’ve been using it for some time now. These are my findings. I’ve been reviewing SmallRig products for some time now, ranging from the Tribex hydraulic tripods to the video and macro lights. Although a lot of the products are aimed at video work,
  
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• Can Sony's $2,698 400mm Prime Keep Up With the 600mm?

  05-10-2026 17:03 via fstoppers.com
  
  Sony now has four lenses that can get you to 600mm or beyond for birds, and two of them weigh around 1 kg while costing less than many full frame bodies. Once teleconverters come into play, those lenses overlap in focal length, so the choice comes down to how much weight, money, and light each route to the same reach will cost you. [Read More]
  
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• A Manual 50mm That Switches Between Clean, Soft, and Bubbly

  05-10-2026 15:03 via fstoppers.com
  
  The Brightin Star 50mm f/2 Tri-Sight is a manual-focus lens that puts three different optical personalities behind one turning ring, so you can switch between a clean normal lens and two softer, bubblier looks without changing glass. If you shoot a full frame mirrorless body and keep reaching for filters, plug-ins, or adapted old lenses to break up the clinical look of modern optics, a lens like this raises a fair question about whether one barrel can cover all of it. [Read More]
  
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• Sony's New 400mm G Master Goes Trackside

  05-10-2026 13:03 via fstoppers.com
  
  Sony now makes a G Master 400mm lens that weighs under a kilogram, which puts a super-telephoto in the same carrying class as a standard 70-200mm zoom. If you shoot motorsport, wildlife, or field sports without a monopod, that weight changes how long you can stay out and how freely you can move. [Read More]
  
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• Why Your Rim Light Looks Weaker Every Time You Raise the Fill

  05-10-2026 11:03 via fstoppers.com
  
  Rim light and fill light pull against each other in a high-key portrait: brighten one, and the other suddenly looks weak. Getting the two to share the frame is what separates a bright, clean beauty shot from one that looks flat or burned out. [Read More]
  
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• Nearly Every JPEG on Earth Runs on Math a Reviewer Called Too Simple to Fund in 1972

  04-10-2026 23:03 via fstoppers.com
  
  In early 1972, a Kansas State University professor named Nasir Ahmed sent the National Science Foundation a proposal to study a cosine transform built out of Chebyshev polynomials. NSF declined to fund it, and in his own written account of what happened, Ahmed recalled one reviewer's comment coming down to the whole idea seeming "too simple." That idea is the arithmetic sitting underneath essentially every JPEG in your catalog. [Read More]
  
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• Five Poses for When Your Couple Starts Looking Posed

  04-10-2026 18:03 via fstoppers.com
  
  I want to start by defending the thing this article might look like it is against.  Static posing in wedding and portrait photography is the backbone of every couples session I shoot. The five foundations I teach are all static positions, and they are static for good reasons. They are fast. They are repeatable. They are flattering on almost everybody. When you have ninety seconds before the coordinator waves you off, you reach for a static pose, and you should. [Read More]
  
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• Is It Time to Upgrade Your Camera?

  04-10-2026 17:03 via fstoppers.com
  
  A shelf full of older camera bodies brings its own kind of guilt: they still work, they still make good pictures, and they almost never leave the house. Choosing whether to keep shooting a camera like the Fujifilm X-H1 or sell it for something faster affects your wallet, your hit rate, and how much you enjoy the time you spend shooting. [Read More]
  
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• Why Leaving Your Camera at Home Can Train Your Eye

  04-10-2026 15:03 via fstoppers.com
  
  Finding a photograph inside a crowded street or a wide-open landscape is the part of the craft that decides whether you come home with a handful of keepers or a card full of near misses. Settings and gear can be learned in a weekend, while knowing where to point the camera takes years, and few people explain how to practice it. [Read More]
  
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• Can a Better Process Lead to Better Landscape Photos?

  04-10-2026 13:03 via fstoppers.com
  
  Two hours of loading sheet film at camp after a long day in the field can make large format feel like a job. How you handle the dull, repetitive parts of photography shapes how much you enjoy the rest of it, and often how the pictures turn out. [Read More]
  
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• Photoshop Can Now Move the Light in Your Photo

  04-10-2026 11:03 via fstoppers.com
  
  Flat window light or a harsh shadow across a face used to mean a reshoot or an evening of dodging and burning. Photoshop's new Relight feature, currently in the beta, lets you reposition, soften, and recolor the light in a finished image with a handful of sliders. [Read More]
  
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• What Diffraction Actually Is, and Why Photographers Worry About f/16

  03-10-2026 23:03 via fstoppers.com
  
  A 24mm lens at f/8 has an opening 3.00 mm across. A 600mm lens at f/8 has one 75 mm across, 25 times wider, and it draws a diffraction pattern on the sky 25 times finer. Both land a blur spot on your sensor exactly 10.7 microns wide. Every other limit in photography has a price attached. Aberrations yield to better glass, noise yields to a bigger sensor, flare yields to better coatings. Diffraction yields to nothing, because it is not a property of your lens at all.[Read More]
  
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• Hands On With Adobe's New Prompt to Edit Lightroom Feature

  03-10-2026 18:03 via fstoppers.com
  
  As part of its ongoing efforts to make photo editing as quick and easy as possible, Adobe is introducing Prompt to Edit in Lightroom. This feature lets you restore an old photograph by selecting one of Adobe’s example prompts or creating your own prompt. You can sharpen out-of-focus images, colorize black-and-white photographs, and adjust the color of photos with a dramatic color cast.  [Read More]
  
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• How to Get Depth in a Wide Angle Landscape Photo

  03-10-2026 17:03 via fstoppers.com
  
  A wide angle lens pointed at a mountain range can make the peaks look small and far away, which is the opposite of what most people expect when they carry one into big terrain. Getting around that problem by getting close to something in front of you and building the frame back toward the peak is what turns a flat record of a view into an image that pulls the eye through it. [Read More]
  
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• The Nearest Wall Might Be Your Best Flash Modifier

  03-10-2026 15:03 via fstoppers.com
  
  A single speedlight sitting in your camera's hot shoe can produce portrait light that looks like it came from a big window or a softbox, as long as you know where to point it. Most people never get there, because direct flash looks harsh and the usual fix is a pile of domes, diffusers, and brackets that can cost more than the flash itself. [Read More]
  
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• Photoshop's Remove Tool Doesn't Touch Your Generative Credits

  03-10-2026 13:03 via fstoppers.com
  
  Adobe now meters many of Photoshop's AI tools against a monthly pool of generative credits, so knowing which features draw from that pool directly affects how freely you can edit. Many of the program's most useful time-savers have nothing to do with AI at all, and they sit on panels you already open every day. [Read More]
  
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• Viltrox Brings Its 16mm f/1.8 to L-Mount

  03-10-2026 11:03 via fstoppers.com
  
  Viltrox's AF 16mm f/1.8 is now available for L-mount, bringing a bright ultra-wide with a small info screen on its barrel to Panasonic, Leica, and Sigma bodies at a list price of $580. If you shoot night skies, tight interiors, or dim venues, a fast autofocus 16mm at that price gives you another way to gather light without leaning so hard on ISO. [Read More]
  
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• Frances Benjamin Johnston: The First Female Press Photographer's Impossible Career

  02-10-2026 23:03 via fstoppers.com
  
  In 1896, a woman settled into a chair in front of the fireplace in her Washington, D.C. studio, hiked her petticoats above the ankle, crossed her legs like a man, and aimed her own camera at herself. One hand held a lit cigarette. The other cradled a stein of beer. Her name was Frances Benjamin Johnston, and across a career of nearly fifty years she talked her way into the White House, boarded a warship in a foreign harbor, and became the first woman in America to earn a living pointing a camer
  
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• Was This Compact Tripod Just Years Ahead of the Trend?

  02-10-2026 18:03 via fstoppers.com
  
  When this tripod came out years ago, so many of us wanted it to the point that a lot of us forced it to be useful in situations where it wasn’t the best fit. Now that we’ve seen the brand’s other tripod offerings, where it fits best is more obvious. [Read More]
  
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• What It's Like to Shoot Stills With the Nikon ZR

  02-10-2026 17:03 via fstoppers.com
  
  The Nikon ZR puts RED's raw video format, 32-bit float audio, and a 4-inch screen into a body with no viewfinder, so most of the conversation around it stays on codecs and cinema workflows. If you shoot both stills and video, the more useful question is whether it's a camera you'd pick up on a day when there's nothing to film. [Read More]
  
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• Wide, Medium, Close: A Filmmaker's Trick for Landscape Photography

  02-10-2026 15:03 via fstoppers.com
  
  You get to a beach at sunrise, the light finally shows up, and nearly every frame you take is the widest view your lens allows. That habit leaves most of a location unphotographed, and it pins the whole morning on one composition and one patch of sky. [Read More]
  
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• Nikon's Low-Light Trinity, Tested After Dark

  02-10-2026 13:03 via fstoppers.com
  
  Nikon now has three autofocus f/1.2 primes for its Z mount, a 35mm, a 50mm, and an 85mm, and each one weighs more than a kilogram. If you shoot for yourself instead of for clients, you have to decide whether any of them earns a place in a bag you actually carry every day. [Read More]
  
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• Should Wedding Photographers Post Their Prices Online?

  02-10-2026 11:03 via fstoppers.com
  
  A couple finds your portfolio, likes what they see, fills out your contact form, and then waits to hear whether you're free on their date and what you charge. Every hour of that wait gives them time to open another tab, and most wedding inquiry setups make some kind of wait unavoidable. [Read More]
  
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• Critique the Community: Scary

  01-10-2026 23:35 via fstoppers.com
  
  Welcome to the October installment of the Critique the Community! This month's critique theme is going to be "Scary," and we want to see your best photographs that scared you in some way. Maybe the image was scary to take, maybe it is scary to look at, or maybe it is scary for you to look back on now.[Read More]
  
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• When Photography Was Illegal: A History of Camera Bans, From Trains to Courtrooms

  01-10-2026 23:03 via fstoppers.com
  
  At a fashionable beach resort in the 1890s, a posted notice reportedly warned bathers about a brand-new menace with blunt words: "PEOPLE ARE FORBIDDEN TO USE THEIR KODAKS ON THE BEACH." Around the same stretch of years, hand cameras were barred for a time from the Washington Monument. The thing you now do a hundred times a day without a second thought spent much of its first century as behavior that respectable people wanted stopped, fined, or outright banned. [Read More]
  
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• The Camera Strap Everyone Else Has to Beat? Peak Design Slide Lite

  01-10-2026 18:03 via fstoppers.com
  
  A camera strap is just a camera strap. Right? Peak Design changed that with a Kickstarter back in 2014, and having only undergone one or two subtle changes over the years, it still sets the standard. [Read More]
  
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• A Look at Laowa's New 35mm Macro Lens

  01-10-2026 17:03 via fstoppers.com
  
  Laowa's ACRIS 35mm f/2.8 1X Macro APO reaches 1:1 magnification at a focal length that keeps the background, the sky, and the setting in the frame while your subject fills the foreground. Wide angle macro is a small niche, and the lenses built for it often ask you to accept unusual compromises in exchange for that perspective. [Read More]
  
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• How Sharp Is the Thypoch Simera 75mm f/1.4 Wide Open?

  01-10-2026 15:03 via fstoppers.com
  
  A 75mm f/1.4 is a short telephoto that isolates a subject without forcing you to back across the room, and the Thypoch Simera 75mm f/1.4 brings that focal length to Leica M mount in an all-metal body. Because it's a manual focus rangefinder lens, plenty of people will adapt it to mirrorless cameras, which raises fair questions about how much performance survives the trip. [Read More]
  
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• How Sony's New 600mm f/6.3 Handles Fast Birds in Flight

  01-10-2026 13:03 via fstoppers.com
  
  A 600mm prime that weighs about 1 kg and costs $3,698 reads like a list of compromises, and Sony's new 600mm f/6.3 asks you to give up aperture in exchange for a lens you can carry without a second thought. If you shoot birds or wildlife handheld, the gap between a lens you can hold for five minutes and one you can hold all morning decides how many chances you actually get. [Read More]
  
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