• What Diffraction Actually Is, and Why Photographers Worry About f/16

    What Diffraction Actually Is, and Why Photographers Worry About f/16
    A 24mm lens at f/8 has an opening 3.00 mm across. A 600mm lens at f/8 has one 75 mm across, 25 times wider, and it draws a diffraction pattern on the sky 25 times finer. Both land a blur spot on your sensor exactly 10.7 microns wide. Every other limit in photography has a price attached. Aberrations yield to better glass, noise yields to a bigger sensor, flare yields to better coatings. Diffraction yields to nothing, because it is not a property of your lens at all.[Read More]
  • Hands On With Adobe's New Prompt to Edit Lightroom Feature

    Hands On With Adobe's New Prompt to Edit Lightroom Feature
    As part of its ongoing efforts to make photo editing as quick and easy as possible, Adobe is introducing Prompt to Edit in Lightroom. This feature lets you restore an old photograph by selecting one of Adobe’s example prompts or creating your own prompt. You can sharpen out-of-focus images, colorize black-and-white photographs, and adjust the color of photos with a dramatic color cast.  [Read More]
  • How to Get Depth in a Wide Angle Landscape Photo

    How to Get Depth in a Wide Angle Landscape Photo
    A wide angle lens pointed at a mountain range can make the peaks look small and far away, which is the opposite of what most people expect when they carry one into big terrain. Getting around that problem by getting close to something in front of you and building the frame back toward the peak is what turns a flat record of a view into an image that pulls the eye through it. [Read More]
  • The Nearest Wall Might Be Your Best Flash Modifier

    The Nearest Wall Might Be Your Best Flash Modifier
    A single speedlight sitting in your camera's hot shoe can produce portrait light that looks like it came from a big window or a softbox, as long as you know where to point it. Most people never get there, because direct flash looks harsh and the usual fix is a pile of domes, diffusers, and brackets that can cost more than the flash itself. [Read More]
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  • Photoshop's Remove Tool Doesn't Touch Your Generative Credits

    Photoshop's Remove Tool Doesn't Touch Your Generative Credits
    Adobe now meters many of Photoshop's AI tools against a monthly pool of generative credits, so knowing which features draw from that pool directly affects how freely you can edit. Many of the program's most useful time-savers have nothing to do with AI at all, and they sit on panels you already open every day. [Read More]
  • Viltrox Brings Its 16mm f/1.8 to L-Mount

    Viltrox Brings Its 16mm f/1.8 to L-Mount
    Viltrox's AF 16mm f/1.8 is now available for L-mount, bringing a bright ultra-wide with a small info screen on its barrel to Panasonic, Leica, and Sigma bodies at a list price of $580. If you shoot night skies, tight interiors, or dim venues, a fast autofocus 16mm at that price gives you another way to gather light without leaning so hard on ISO. [Read More]

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