• Create Beautiful Portraits With One Lens and Simple Light

    Create Beautiful Portraits With One Lens and Simple Light
    Crafting beautiful portraits with a simple camera and lighting setup is possible, and limiting our gear choices can lead to even more creative results. In my latest YouTube video, I demonstrate how I use natural light, strobe, and continuous light to create portraits. Instead of focusing on a ton of gear, I use simple setups, starting with just a window, and then show how I can use one Westcott FJ100 M hot shoe flash and a Joel Grimes Beauty Dish, and later one Westcott L120-B continuous light
  • Is Shooting Wide Open Making Your Photos Flatter?

    Is Shooting Wide Open Making Your Photos Flatter?
    Background blur is usually the first effect you learn to create on purpose, and that early success tends to shape how you shoot for years. The settings you lean on, from aperture to shutter speed to exposure mode, decide whether your images feel flat or deep long before you open an editor. [Read More]
  • Is Samyang's Compact f/2.8 Zoom Set Worth Carrying?

    Is Samyang's Compact f/2.8 Zoom Set Worth Carrying?
    Samyang's three f/2.8 zooms, co-designed with Schneider-Kreuznach, cover 14mm to 180mm on Sony full frame bodies while stepping away from the familiar 16-35mm, 24-70mm, and 70-200mm ranges. Trimming a few millimeters here and adding a few there is how a lens maker cuts size, weight, and price, and those are the things that decide whether a lens leaves your house or stays on the shelf. [Read More]
  • Is the Nikon ZR Enough Reason to Switch to Nikon for Video?

    Is the Nikon ZR Enough Reason to Switch to Nikon for Video?
    Nikon now owns RED, and the first camera to come out of that deal is the Nikon ZR, a compact body that records RED's raw codec for a little over $2,000. If you shoot video for clients or your own films, that pairing puts a codec once tied to cinema camera budgets inside a body small enough to balance on a basic gimbal. [Read More]
  • Advertisement

  • The Hurricane Katrina 'Looting' Photo Controversy and What It Still Teaches Us About Writing Captions

    The Hurricane Katrina 'Looting' Photo Controversy and What It Still Teaches Us About Writing Captions
    Getty Images image number 53509740 is still on Getty's site today, and the caption still reads: "Two residents wade through chest deep water after finding bread and soda from a local grocery store after Hurricane Katrina came through the area on August 29, 2005 in New Orleans, Louisiana." An Associated Press frame of a young Black man in chest-deep water, carrying what looks like a case of Pepsi under one arm and a full garbage bag, said he was looting. Two decades of argument later, the disput
  • Hands On With the Light Lens Lab 35mm Double Ashperical Lens

    Hands On With the Light Lens Lab 35mm Double Ashperical Lens
    Every Leica shooter has a dream lens they would love to buy. Price is usually the obstacle, but sometimes that lens is not only expensive but rare as well. Perhaps no other Leica lens is more sought after than the Summilux-M 35mm f/1.4 with the word “Aspherical” written in full on the rim. It is unlikely you will ever own this lens, but there is an alternative option in the form of the Light Lens Lab 35mm f/1.4 Aspherical “11873”.  [Read More]
  • How Nikon's Flagship 85mm f/1.2 Holds Up Against New Rivals

    How Nikon's Flagship 85mm f/1.2 Holds Up Against New Rivals
    Nikon's NIKKOR Z 85mm f/1.2 S sells for close to $3,000 and weighs more than many of the bodies you'd mount it on. For about three years, it has been the obvious pick on Z mount if you want the thinnest depth of field and the cleanest portrait rendering, and now cheaper third-party 85mm f/1.2 lenses are showing up to test how long that lasts. [Read More]
  • How to Make Someone Comfortable in Front of Your Camera

    How to Make Someone Comfortable in Front of Your Camera
    Stiff portraits usually come from a subject who feels watched and unsure, and no lens or lighting setup hides that tension once it settles into someone's shoulders and face. If you photograph people who aren't professional models, how relaxed they feel shapes nearly every frame you take. [Read More]
  • Advertisement

  • Does Lightroom's Open Eyes Feature Actually Look Natural?

    Does Lightroom's Open Eyes Feature Actually Look Natural?
    Lightroom can now open closed eyes in a photo, a job that used to mean digging through a burst for a donor frame and blending it in by hand in Photoshop. If you shoot portraits, events, or group photos, a blink is one of the most common reasons a frame with good expression and good light lands in the reject pile. [Read More]
  • Is the Nikon Z5IIC a Better Deal Than the Sony a7CR?

    Is the Nikon Z5IIC a Better Deal Than the Sony a7CR?
    The Nikon Z5IIC puts a full frame sensor, in-body stabilization, and raw video into a $1,400 body by dropping the viewfinder, and people argued about that choice before most of them had held one. If you shoot weddings or travel, or if you're weighing a second body, the useful question is how that missing eyepiece and a pricier compact Sony rival play out over a real day of shooting. [Read More]
  • A National Archives Archivist Enlarged a Mislabeled Glass Plate in 1952 and Found Lincoln at Gettysburg

    A National Archives Archivist Enlarged a Mislabeled Glass Plate in 1952 and Found Lincoln at Gettysburg
    The National Archives still lists the negative as "Crowd of citizens, soldiers, and etc. with Abraham Lincoln at Gettysburg." Everything before the president's name is the label the plate wore in federal storage for most of a century. The rest is there because Josephine Cobb enlarged a broken piece of glass about 20 times in 1952 and found him in it. [Read More]
  • Comparing Peak Design’s Travel and Pro Tripods: Which One Is For You?

    Comparing Peak Design’s Travel and Pro Tripods: Which One Is For You?
    Peak Design's Travel Tripod is probably one of the most talked-about tripods on this site, and opinions have been polarized. Since the brand has expanded its tripod lineup with three new Pro models, it's clearly important that we see their differences and optimal use cases. [Read More]
  • The Great Tripod Debate: Twist Locks or Lever Locks?

    The Great Tripod Debate: Twist Locks or Lever Locks?
    You've noticed that tripods come with two basic kinds of locks: twist locks and lever locks. They're quite different. Which should you purchase? I'll tell you my experiences and observations. Twist Locks The Robus RC-5570 has high-quality twist locks.I generally like twist locks, or collar locks, but I feel that you have to really go out of your way to make sure that they are locked down because occasionally, if you are not careful, they can slip.[Read More]
  • Is the Canon RF 85mm f/1.2L Really the King of Portrait Lenses?

    Is the Canon RF 85mm f/1.2L Really the King of Portrait Lenses?
    Ask a room full of people to name the best portrait lens, and most will point to something like the Canon RF 85mm f/1.2L USM, with its reputation for sharpness, flattering perspective on faces, and heavy background blur. If you're about to spend serious money on portrait glass, ask whether that reputation fits the rooms you work in and the apertures you actually use. [Read More]
  • The Most Important Camera Setting You're Not Using

    The Most Important Camera Setting You're Not Using
    Any modern digital camera has thousands of settings and more features than most individual photographers will ever use. But there are some settings that photographers of all genres can benefit from using. One of the most overused terms in photography is "game-changing." It seems like every time a new piece of gear is announced, whether it's a camera, lens, strobe, modifier, tripod, or lens cloth, someone is out there to tell you why you need it and why it's going to revolutionize your phot
  • DXO ViewPoint 6 Offers Image Correction Without Crops

    DXO ViewPoint 6 Offers Image Correction Without Crops
    DxO has been busy lately, updating its collection of apps, giving them new capabilities and gently using AI to keep the photographer in control while making editing easier. Today, DxO is announcing ViewPoint 6, the latest version of its software for correcting geometry, perspective, and distortion. Version 6 brings AI masks to ReShape Fusion, the tool for adjusting the components of a scene from within the frame. Photographers can now concentrate a geometric correction on a single element
  • How the Canon EOS R6 Mark III Holds Up After a Year of Paid Work

    How the Canon EOS R6 Mark III Holds Up After a Year of Paid Work
    The Canon EOS R6 Mark III sits in the middle of Canon's mirrorless lineup, yet its feature list now overlaps with both the higher-resolution R5 Mark II and Canon's Cinema EOS bodies. If you shoot stills and video for a living, that overlap decides how many bodies you buy, carry, and maintain. [Read More]
  • Should Your Next Filmmaking Camera Be a Lumix?

    Should Your Next Filmmaking Camera Be a Lumix?
    Picking a camera system for video locks you into a mount, a lens lineup, and a manufacturer's release schedule for years, and the features a brand ships early tend to shape how you work long after the purchase. Panasonic's Lumix bodies rarely dominate filmmaking gear talk, even though several capabilities now drawing attention elsewhere have lived inside them for a long time. [Read More]
  • Is Panasonic's $400 Lumix S 40mm f/2 Worth It?

    Is Panasonic's $400 Lumix S 40mm f/2 Worth It?
    At $400, the Panasonic Lumix S 40mm f/2 is one of the least expensive ways to put an official autofocus prime on an L-mount body. A 40mm sits between the standard 35mm and 50mm choices, and a lens this small and cheap has a good chance of becoming the one that never leaves your camera. [Read More]
  • Connecticut Wrote Six Rules for Photoshopped Evidence in 2004 and Kept an Innocent Man in Prison Anyway

    Connecticut Wrote Six Rules for Photoshopped Evidence in 2004 and Kept an Innocent Man in Prison Anyway
    A judge in Hartford wanted to know how the computer had made a set of plaster teeth semi-transparent so they could be laid over an autopsy photograph of a murdered woman's breast. "Judge, you got me," the state's forensic odontologist answered. "I don't know how they do it, but they do it," he said, and then, "I think we really need an engineer." [Read More]
  • Most Photographers Probably Overlook the Importance of This Lens

    Most Photographers Probably Overlook the Importance of This Lens
    There’s a special role that affordable lenses play in the grand scheme of things, especially those that don’t compromise too much on optics. This new lens, while smaller than most of its kind, is sure to open many doors. [Read More]
  • Is the Sony 20-70mm f/4 G the Do-Everything Zoom for the Mountains?

    Is the Sony 20-70mm f/4 G the Do-Everything Zoom for the Mountains?
    The Sony FE 24-50mm f/2.8 G and FE 20-70mm f/4 G both promise a smaller standard zoom, and each one asks you to give up something different to get there. If you carry a camera into the mountains for hours at a time, the choice between extra width, extra reach, and an extra stop of light shapes nearly every frame you bring home. [Read More]
  • Landscape Photography Beliefs Worth Questioning, From Gear to Fame

    Landscape Photography Beliefs Worth Questioning, From Gear to Fame
    Most people start landscape photography already believing a few things: you need a wide angle lens, a tripod goes everywhere with you, and a strong portfolio might eventually pay for itself. Those beliefs decide what you buy, where you travel, and how you judge your own progress, and several of them don't hold up once you've spent real time in the field. [Read More]
  • Should You Fix a Vintage Lens' Flaws in Lightroom?

    Should You Fix a Vintage Lens' Flaws in Lightroom?
    Adapting a vintage lens to a mirrorless body gets you inexpensive, well-built glass with a look modern optics rarely have, and it also brings purple fringing, darkened corners, and lines that bow at the edges. Every one of those flaws can be pushed around in Lightroom, so each one becomes a decision about how much of the old lens you keep in the final file. [Read More]
  • How to Find Compositions When a Location Overwhelms You

    How to Find Compositions When a Location Overwhelms You
    You arrive somewhere beautiful, raise the camera, and every frame comes back looking like a postcard someone else already took. Too much to look at can stall your composition faster than too little, and the fix often starts with seeing less of the scene through a viewfinder, a long lens, or an in-camera crop mode. [Read More]
  • The Image Stabilization Rating on Your 2026 Camera Comes From a Shaker Table, Not a Human Hand

    The Image Stabilization Rating on Your 2026 Camera Comes From a Shaker Table, Not a Human Hand
    Canon rates the EOS R6 Mark III at up to 8.5 stops of stabilization at the center of the frame and 7.5 stops at the periphery, depending on the lens. The footnote under that number says it was measured under the CIPA 2024 standard with an RF 24-105mm F2.8 L IS USM Z at 105mm. The footnote leaves out that the camera was bolted to a vibrating platform roughly two meters from a printed chart, in a room held near 23 degrees Celsius, and that the rating comes from at least 200 frames shot at every s
  • Are Inflatable LED Lights Actually Any Good?

    Are Inflatable LED Lights Actually Any Good?
    Inflatable LED lights are one of those ideas that sound gimmicky. A soft, glowing tube you inflate like a pool toy, then use to light a portrait or paint with color in the dark. It's the kind of gadget that could easily be all novelty and no substance. I wanted to answer a simple question for myself: do these things actually deliver usable results, or are they just a throwaway item destined for the back of a drawer? I tested the Neewer GC30C Inflatable LED Light to find out. [Read More]
  • How to Edit Autumn Foliage in Lightroom Without Overcooking It

    How to Edit Autumn Foliage in Lightroom Without Overcooking It
    Most fall edits in Lightroom go the same way: you open a frame full of yellow leaves, push vibrance and saturation, and end up with something that looks worse than what came out of the camera. Warm hues clip and smear fast, and a heavy hand turns a glowing tree into a flat neon blob. [Read More]
  • Do You Really Need a Fiery Sunset to Make a Good Landscape Photo?

    Do You Really Need a Fiery Sunset to Make a Good Landscape Photo?
    Most of your time with a camera happens under ordinary skies at ordinary places, yet the landscape images that get the most attention online are blazing sunsets over famous viewpoints. That gap shapes what you think a successful outing looks like, and it can make the scenes you actually encounter feel like second best. [Read More]
  • AstrHori's 8mm Fisheye Brings a Rare Look to Medium Format

    AstrHori's 8mm Fisheye Brings a Rare Look to Medium Format
    Fisheye lenses for medium format have been close to nonexistent, so if you shoot a Fujifilm GFX or Hasselblad body and want that look, you've usually had to adapt glass that doesn't cover the sensor properly. AstrHori's new 8mm fisheye goes after that gap with a circular image and a field of view wider than a full hemisphere. [Read More]
  • Do You Still Need One Career-Defining Photo?

    Do You Still Need One Career-Defining Photo?
    For decades, a photography career seemed to hinge on one or two pictures, the frames that appeared in every magazine profile and forum thread until they became shorthand for the person who made them. If you've ever wondered whether your own work needs that kind of breakout image, your answer affects how you shoot, how you edit, and how you share everything else. [Read More]
  • Canon's Craziest Lens Ever Just Appeared

    Canon's Craziest Lens Ever Just Appeared
    A Canon patent application published in Japan on October 16 includes a complete optical design for a 70-200mm f/2 zoom covering a full-frame sensor, a combination Canon has never sold in any mount. The design, Example 9 in the filing, holds f/2.06 from 71.65mm to 194mm. The filing, JP 2026-168807, was first reported by Canon Rumors. Canon filed it on April 4, 2025, and it contains 11 numbered examples. Eight are f/1.46 zooms: two cover roughly 51-83mm, one 44-83mm, two 36-83mm, and three 3
  • Six-Tenths of a Second Separated Two Dallas Photographers in 1963, and Only One Won the Pulitzer

    Six-Tenths of a Second Separated Two Dallas Photographers in 1963, and Only One Won the Pulitzer
    At 11:21 on the morning of November 24, 1963, Jack Beers was standing on a railing in the basement of Dallas police headquarters with a Mamiyaflex twin-lens reflex, and he tripped his shutter as Jack Ruby stepped into the open. Several feet lower and to his left, Bob Jackson released the shutter on a Nikon S3 six-tenths of a second later. Beers got Ruby walking; Jackson got the bullet. [Read More]
  • BenQ PD2732U Review: Could This Be The Monitor for Photographers?

    BenQ PD2732U Review: Could This Be The Monitor for Photographers?
    When BenQ asked me if I would like to take a look at the new PD2732U monitor, I was interested because a monitor is something I spend a lot of time looking at, particularly when I am editing photographs. Color accuracy is obviously important to me, but so is how the monitor fits into my existing workflow. [Read More]
  • Why Boredom Might Be the Best Thing for Your Street Photography

    Why Boredom Might Be the Best Thing for Your Street Photography
    Most street photography outings involve long stretches where nothing worth photographing happens, and how you handle those stretches shapes what you bring home. If you've ever walked for two hours, felt the pressure build, and started shooting anything that moved, you already know the problem. [Read More]
  • How Sharp Is the Fujifilm XF 400mm f/4.5 on the X-T50?

    How Sharp Is the Fujifilm XF 400mm f/4.5 on the X-T50?
    Fujifilm's XF 400mm f/4.5 gives X-mount shooters the field of view of a 600mm lens on full frame, with an aperture about two-thirds of a stop brighter than the company's 500mm f/5.6. If you shoot birds or wildlife on Fujifilm, that extra light can be the difference between a usable shutter speed at dawn and a frame lost to motion blur. [Read More]
  • Lumix S9, Fujifilm X-M5, or OM System PEN for Everyday Carry?

    Lumix S9, Fujifilm X-M5, or OM System PEN for Everyday Carry?
    The Panasonic Lumix S9, Fujifilm X-M5, and OM System PEN sell at similar prices in 2026, yet each uses a different sensor format: full frame, APS-C, and Micro Four Thirds. If you're moving up from a phone to a camera you'll carry every day, that price overlap makes the decision harder than any spec sheet suggests. [Read More]
  • Why Would Anyone Sell a Sony a7R V for Fujifilm APS-C?

    Why Would Anyone Sell a Sony a7R V for Fujifilm APS-C?
    Most side-by-side tests of APS-C and full frame end the same way, with differences that barely show up in the photos people actually print or post. Far fewer people act on that result, because selling a full frame kit means walking away from money already spent and from a long-held idea of what a serious camera is supposed to be. [Read More]
  • This Famous Ether Daguerreotype Shows the Wrong Patient

    This Famous Ether Daguerreotype Shows the Wrong Patient
    In the whole plate daguerreotype the Getty Museum catalogs as "Early Operation Using Ether for Anesthesia," a young man lies on a table in a Boston amphitheater with both legs bare below the knee and his socks still on. Nine men crowd around him, and several of their faces are smeared by the length of the exposure. That plate has been in print since 1903, and for decades it has carried captions placing it on October 16, 1846, the morning ether was first demonstrated in public.[Read More]
  • This Might Be the Last Camera Case You Ever Buy

    This Might Be the Last Camera Case You Ever Buy
    The Protector 1510 Studio Case reimagines the toughness you’ve come to expect from Pelican. Is it worthy of its name? More importantly, is it worthy of the price? “It’s no secret Pelican is the best. It’s also no secret they’re expensive.”One of my greatly appreciated YouTube viewers summed up the core of this review before I could even get it written. There’s not a prize for that or anything, and I never judge for typos, nor is there a need to dan
  • What Makes You a Photographer When 5 Billion Photos Are Taken Every Day?

    What Makes You a Photographer When 5 Billion Photos Are Taken Every Day?
    Roughly 5 billion photos are taken every day, and anyone with a Midjourney account can now produce an image that looks interesting in seconds. With volume that high and a barrier that low, it becomes a practical question whether your own pictures carry anything that someone else's don't. [Read More]
  • How Good Are Viltrox's Budget EVO Lenses for Video?

    How Good Are Viltrox's Budget EVO Lenses for Video?
    Viltrox's EVO series offers three matched prime lenses for just over $1,000, about what a single first-party prime can cost. If you shoot video on a gimbal or pack light for travel, a set that shares size, weight, and filter thread can save more time than an extra stop of light. [Read More]
  • How to Build a Layered Street Photo From the Background Up

    How to Build a Layered Street Photo From the Background Up
    Layering sounds like a checklist: put something in the foreground, something in the midground, something in the background, and press the shutter. Anyone who has tried it on a crowded sidewalk knows the elements rarely cooperate, and a frame with three layers can still read as a pile of clutter. [Read More]
  • Turning a Small Venue Into a Portrait Studio With One Light

    Turning a Small Venue Into a Portrait Studio With One Light
    Shooting portraits at an event means working in whatever corner the venue hands you, with a line of people who all expect to look good and very little time to fuss over each one. A single strobe can give you soft, directional light that looks like it's coming through a big window in that space, but only if you shape it with more than a bare umbrella or softbox. [Read More]
  • Is AI Color Grading Finally Good Enough? Fstoppers Tests Imagen Video

    Is AI Color Grading Finally Good Enough? Fstoppers Tests Imagen Video
    If you edit a lot of video, the most tedious part of the job isn't the creative color grade. It's getting the footage adjusted so that you can add the color grade. One shot is too bright, the next too dark, one camera leans green while another leans warm, and you end up crawling through the timeline clip by clip trying to make everything look like it belongs to the same production. On a real project, that takes hours, and nobody bills for it.[Read More]
  • The First American Wanted Poster With Photographs Went Out in 1865, and One of the Three Faces May Be the Wrong Brother

    The First American Wanted Poster With Photographs Went Out in 1865, and One of the Three Faces May Be the Wrong Brother
    The War Department's April 20, 1865 reward broadside carries three photographs a little over three inches tall, pasted by hand into printed frames at the top of a sheet nearly two feet long. Somebody sat with a pot of paste and a stack of prints and mounted them one sheet at a time. No two copies of the most famous wanted poster in American history are quite the same object. [Read More]
  • The Real Reason Most Photography Websites Fail

    The Real Reason Most Photography Websites Fail
    When you build your first photography website, the platform you use can make it remarkably easy to include everything. Within an afternoon, you’ve populated a portfolio template, drafted an "About Me" page, and installed an e-commerce plugin to sell prints. You create a space for your blog. It feels productive, with every feature you can think of accounted for. You sit back and wait for visitors. Over time, though, the site may begin to feel less like a cohesive body of work and more like
  • Every Flash Photo Is Really Two Exposures

    Every Flash Photo Is Really Two Exposures
    Most people who freeze up with flash have memorized a few settings that worked once, and those settings fall apart the moment the sun moves or the room gets darker. A fixed order of decisions, run the same way with a small Westcott FJ strobe or a big one, gets you to a good frame faster than any saved power number. [Read More]
  • Is the Tamron 16-50mm f/2.8 the APS-C Zoom Worth Leaving on Your Camera?

    Is the Tamron 16-50mm f/2.8 the APS-C Zoom Worth Leaving on Your Camera?
    A constant f/2.8 standard zoom is the lens most APS-C shooters end up leaving on the camera, yet the options have often been heavy, expensive, or simply missing from certain mounts. The Tamron 16-50mm f/2.8 costs roughly half as much as Sony's own equivalent and weighs far less, which raises a fair question about what you give up for the savings. [Read More]
  • Luminar Comes to Your Browser With AI Editing and Raw Support in a Slick Interface

    Luminar Comes to Your Browser With AI Editing and Raw Support in a Slick Interface
    Luminar is now offering something pretty unique for photo editors who want a powerful yet portable web-based editor. It's called Luminar on Web, which certainly describes its functionality. Luminar on Web is a new browser-based product allowing for easier access to high-grade photo editing from anywhere without powerful hardware, long app installations, or years of experience.Here are a few facts about Luminar on Web:[Read More]

Follow @Photography_Nws on Twitter!