• LAYBE Finds A Harder Techno Language

    LAYBE Finds A Harder Techno Language
    Hard techno is crowded enough right now that “harder” barely means anything on its own.
    The real question is whether an artist can make pressure feel authored rather than anonymous. That is the line LAYBE (@laybemusic) seems to be chasing in 2026, moving away from a wider exploratory phase and toward something darker, more physical, and more clearly his.LAYBE · Laybe X Esoterica Radio GuestMixThe key detail is that the music changed before the public image did. LAYBE talks abo
  • The 15 Best Ambient Tracks of August 2026

    The 15 Best Ambient Tracks of August 2026
    Ambient continues to be most interesting when nobody worries too much about whether it is actually ambient. This month’s selection stretches from Carmen Villain’s skeletal dub experiments and Gi Gi’s blurred sample work to guitar improvisation, modular electronics, field recordings and some surprisingly beat-driven diversions.
    There are established names here, including Julia Holter, John Beltran and Windy & Carl, alongside artists working in some of the more interesting co
  • How It Was Made: VELVE – Be My Pony (VELVE Music, Berlin Underground Techno)

    How It Was Made: VELVE – Be My Pony (VELVE Music, Berlin Underground Techno)
    Berlin-based producer, singer and live artist VELVE’s Be My Pony EP has an unusual starting point. The three tracks began life as part of her work composing music for the documentary KitKatClub – Kinks of Berlin, before being developed beyond the film into a standalone release.That origin can still be felt across the EP, which pairs stripped-back, physical techno with acid, analogue textures and more fragile details that sit just beneath the surface. For this edition of How It Was Ma
  • Andrew Balfour Thinks Ten Minutes Is Enough

    Andrew Balfour Thinks Ten Minutes Is Enough
    Most people do not stop making things because they stopped caring.
    They stop because the act of returning starts to feel too loaded. The guitar becomes a test of whether you are still a musician. The blank page becomes a referendum on whether you were ever any good. The project waits for some cleaner future version of your life, one with more time, more motivation, and fewer reasons to avoid beginning.Andrew Balfour’s The Ten Minute Rule is built for that exact standoff.
    The former touring
  • Advertisement

  • Yahn Dawn 2026 Gives Pretty Lights Nearly Ten Hours

    Yahn Dawn 2026 Gives Pretty Lights Nearly Ten Hours
    The complete set times place a three-hour-plus Pretty Lights performance at the center of every night in Buena Vista.The first thing that jumps out in Yahn Dawn’s 2026 set times is how little the event tries to cram onto its Main Stage.LP Giobbi opens Friday with her Dead House set. Emancipator brings a live performance on Saturday, and Gramatik takes the opening slot on Sunday. Each artist then hands the stage to Pretty Lights for three hours and 15 minutes, giving the band nine hours and
  • FIFI FORTE Trusts The Groove Before The Plan

    FIFI FORTE Trusts The Groove Before The Plan
    FIFI FORTE’s (@fififortedj) Gain My Trust EP lands on Diggin’ Records with the kind of house music that does not need to over-explain itself. The London-based DJ and producer keeps the release tight: three cuts, rolling drums, deep basslines, crisp percussion, and enough ’90s house memory to give the tracks character without turning them into retro costume.That economy is the point.
    “Gain My Trust” brings the biggest vocal-led energy of the package, “444&rdquo
  • How Lantern House Is Challenging the One-Night Promoter Model

    How Lantern House Is Challenging the One-Night Promoter Model
    A promoter can book an artist, sell the date, run the room, post the photographs, and close the accounts. Once the lights come up, though, the developing artist may leave with little that can support the next booking. Photographs and phone clips document the date, yet most of its attention disappears within days. Lantern House founder and curator Weiyi Xia has spent the past few years considering how a relationship established by programming an artist might continue after the date.
    His principal
  • MARS Builds A Club World For Misfits

    MARS Builds A Club World For Misfits
    MARS (@iammarsofficial) enters the scene with “Techno Dungeon,” a high-energy collaboration with DJ HPNOTIC built around relentless grooves, driving percussion, and a four-on-the-floor pulse. The track is designed as an invitation: leave the outside world at the door, step into the Dungeon, and let the room become a place where stress, expectation, and self-consciousness fall away for a few minutes.6AM · Hpnotic & I AM MARS "Techno Dungeon" (Extended Version)That premise c
  • Advertisement

  • Enzo Vood Talks “Self-Actualization” And DJ Pacing

    Enzo Vood Talks “Self-Actualization” And DJ Pacing
    Enzo Vood (@enzo_vood) recently appeared alongside Aaron Suiss on “Self-Actualization,” released this summer on Magnetic Magazine Recordings. The track gave the label another patient, melodic club record built for gradual movement rather than cheap impact, which makes Enzo’s interview a natural extension of the release, and he talks about the shape of a set, pacing, preparation, and the way a crowd can bring a planned set to life.That difference is important. Enzo prepares with
  • Label Spotlight: How Fejká Is Building Coexist Through Albums and Open A&R

    Label Spotlight: How Fejká Is Building Coexist Through Albums and Open A&R
    There are plenty of labels that begin with a genre tag and build outward from there, though Coexist came from a clearer personal need. Brian Zajak, known through his Fejká project, had spent years making electronic music that moved between ambient restraint and club-focused momentum, and after a decade releasing through Christian Löffler’s Ki Records, he wanted a home where those sides of his work could sit together without being forced into separate lanes.
    Coexist grew from th
  • PAUL OAKENFOLD: MISSION UNDERGROUND, THE RETURN OF TRANCE AND WHAT COMES NEXT

    PAUL OAKENFOLD: MISSION UNDERGROUND, THE RETURN OF TRANCE AND WHAT COMES NEXT
    Paul Oakenfold has spent decades moving electronic music forward, but the Mission Underground album finds him doing something more interesting than simply revisiting his history. Released on Perfecto Records, the album connects the emotional architecture of classic trance with the harder, darker energy shaping contemporary techno and underground dancefloors right now. The result is both retrospective and forward-facing: familiar records are reinterpreted, new collaborations enter the conversatio
  • RADL Pack 01 Review: Durability Comes First

    RADL Pack 01 Review: Durability Comes First
    Ultralight backpacking has become a dominant part of outdoor equipment design, and I understand why hikers count ounces across long distances. That calculation changes when a buckle snaps, a strap pulls loose, or thin fabric catches on a branch away from a maintained trail.
    The RADL Pack 01 takes a different position, and I appreciate that it does so without apology.This 65-liter backpack weighs 5 pounds 3 ounces before any equipment goes inside, so no one will mistake it for an ultralight optio
  • UMAY Fitness Makes Studio Movement Easier

    UMAY Fitness Makes Studio Movement Easier
    Most producers already know what it feels like to sit too long. The loop keeps playing, the screen gets louder than the song, and a decision that should take two minutes turns into half an hour of clicking. That is usually the point where buying another plug-in is less helpful than standing up, moving for ten minutes, and letting the body pull the brain out of the same small circle.That is the creative angle where UMAY Fitness starts to feel relevant.
    The brand’s at-home fitness lineup inc
  • Roma Modulare 2026 Lines Up a Major Synth Weekend

    Roma Modulare 2026 Lines Up a Major Synth Weekend
    Roma Modulare 2026 is shaping up to be one of the more interesting European synth and pro-audio gatherings on the September calendar. The two-day fair takes place September 18 and 19 at L’Opificio Italiacamp in central Rome, bringing manufacturers, artists, producers, engineers, educators, and gear obsessives into a 1,200m² venue tied to the city’s industrial past.That setting gives the event an immediate point of difference.
    L’Opificio Italiacamp sits in the Ostiense-Marc
  • Max Porcelli Returns to Magnetic With “Jaguar”

    Max Porcelli Returns to Magnetic With “Jaguar”
    Max Porcelli (@max__porcelli) is back on Magnetic Magazine Recordings with “Jaguar,” released September 4 as MMR078, and this return continues a relationship we have been documenting since 2024.
    The package contains Max’s original and extended mixes alongside my own remix and extended version, though the focus belongs squarely on the Italian producer whose history with Magnetic now covers profiles, interviews, production discussions, playlists, and a guest mix so snag them all
  • Pivots Announce UK Tour With “Any Means”

    Pivots Announce UK Tour With “Any Means”
    Pivots’ “Any Means” comes with a tour idea that feels bigger than a normal single rollout. The UK-French electronic duo have announced a six-date UK run this September, bringing their live AV set and immersive pre-show concert Everyday Places to grassroots venues across the country. The dates begin September 16 at PLAYBACK Festival at Tramshed Cardiff, then continue to The Hug and Pint in Glasgow, Sneaky Pete’s in Edinburgh, Beyond Vinyl in Newcastle upon Tyne, THIRTEEN i
  • Carl Kammeyer Turns Breakup Fallout Into Motion

    Carl Kammeyer Turns Breakup Fallout Into Motion
    Carl Kammeyer’s “Since You Been Gone” is a breakup song, but its best moments come from what happens after the obvious pain has already hit. The track sits in that strange middle space where the relationship is over, the silence has settled in, and the hard part becomes figuring out what to do with all the feeling still left in the room.Released August 28, 2026, the single finds the Bethel Island, California artist working from a home-studio process that gives the song a person
  • Three Cities, One Garden: Milan93, 9ICK & Mauricesax on Their New Collaborative EP

    Three Cities, One Garden: Milan93, 9ICK & Mauricesax on Their New Collaborative EP
    There’s something beautifully organic about A Garden Between Us, the new collaborative EP from Brooklyn producer Milan93, Copenhagen pianist and producer 9ICK, and Cologne-based multi-instrumentalist Mauricesax.Released via LYAM by Oathcreations, the record finds three artists working across jazz, house and electronic music, bringing together their different backgrounds and musical languages into something that feels both deeply considered and completely alive.
    Across four original tracks,
  • STEZ Brings London Club Energy to “Work The Box”

    STEZ Brings London Club Energy to “Work The Box”
    STEZ’s “Work The Box” comes in with a clear purpose: get the room moving quickly and keep it there. The London-based DJ and producer returns with a high-energy house cut built around organ synths, heavy drums, and a driving club groove, giving the track the kind of directness that usually works best when the night is already warm and the floor is ready for something with bite.This is STEZ’s fourth release of 2026, following a run of DJ sets across London that includes XOY
  • Malcolm Zeller Reads The Room Before He Pushes It

    Malcolm Zeller Reads The Room Before He Pushes It
    Malcolm Zeller (@djresco) makes his Sound D’Elite debut with Lose Control, a two-track EP landing September 4 on Ilario Alicante’s imprint. The New York-based DJ and producer comes into the release with a growing club profile, having played rooms including Club Space, Hï Ibiza, and UNVRS while releasing across labels such as NUSONIDO, Deeperfect, WHYNOTUS, and South Of Saturn.The EP fits the lane he describes in the interview below. “Lose Control” leans into disco-in
  • Deadlynoiz Cuts Straight In on “What You Gonna Do”

    Deadlynoiz Cuts Straight In on “What You Gonna Do”
    Deadlynoiz’s “What You Gonna Do” gets to the point quickly, which is probably the right move for a track built around two drops, a short runtime, and a bass house engine that does not need much ceremony around it. Out now via LVLD MUSIC, the track clocks in at just over two minutes and uses that limited space to hit hard, reset, then hit again. It is direct, functional, and aimed at the part of the room that wants impact without a long scenic route.That is a better read on the
  • Nathan Stewart on Return To Reverie, Balearic Dreams & the Art of the Slow Groove

    Nathan Stewart on Return To Reverie, Balearic Dreams & the Art of the Slow Groove
    There’s a certain kind of dance music that feels less concerned with chasing the moment and more interested in creating one. Austin-based DJ, producer, and lifelong vinyl obsessive Nathan Stewart has spent years cultivating exactly that space, blending deep house, slo-mo disco, funk, acid, and Balearic influences into a sound that feels both deeply rooted and effortlessly timeless.Whiskey Pickle · WP052 NATHAN STEWART – "Return To Reverie" EPNow returning to Whiskey Pickle Rec
  • HUGEL Opens Budapest’s Aura Bay Open Air

    HUGEL Opens Budapest’s Aura Bay Open Air
    Budapest is getting a new open-air dance venue on Friday, September 18, and Aura Bay Open Air is not easing into the calendar quietly. The launch event brings HUGEL to Óbudai Island for his first standalone headline show in Hungary, placing one of the biggest names in Afro Latin house inside a brand-new outdoor concept built around music, large-scale light installations, and a Danube-side setting with a very clear point of view.The venue sits at Óbuda Bay on Óbudai Island, t
  • UNTER STRØM Turn Industrial Pressure and Melodic Release Into Between Forms

    UNTER STRØM Turn Industrial Pressure and Melodic Release Into Between Forms
    UNTER STRØM’s Between Forms feels like a project title that actually describes the music. Across the EP, Alex Gonzales and John Kunkel keep pulling the listener between different states: club pressure and headphone detail, mechanical rhythm and melodic lift, industrial edge and something more open at the center.That is the part that makes the project worth paying attention to. Gonzales brings the darker, tour-tested force of Matte Blvck, while Kunkel’s work across The New Divi
  • Mystigrix Builds House Music Around Shared Effort

    Mystigrix Builds House Music Around Shared Effort
    Photography Credit Throughout: Timo WagnerMystigrix (@its_mystigrix) is thinking about house music less as a personal lane and more as a shared ecosystem. The Berlin-based DJ, producer, and Flirt Records founder is not only putting out music under his own name. He is using the label, events, and his monthly RBL radio show as ways to bring other artists into view, build relationships, and create a more generous version of underground culture.That focus is easy to flatten into vague community lang
  • LALAL.AI Fixes a Guitar Stem Problem

    LALAL.AI Fixes a Guitar Stem Problem
    LALAL.AI’s new Guitars stem is interesting because the company is not pretending that every AI music update needs to sound like a sci-fi manifesto. This is a specific fix for a specific problem: guitar parts are messy, layered, processed, doubled, and easy for separation models to misread when they are forced to decide whether something is acoustic or electric before pulling it out of a track.Until now, LALAL.AI offered Acoustic Guitar and Electric Guitar as separate stems.
    That worked in
  • Bodaishin Marks 100 Releases With “Circle of Life”

    Bodaishin Marks 100 Releases With “Circle of Life”
    Bodaishin’s “Circle of Life” arrives with a milestone attached to it, but the track does not feel like a victory lap.
    It marks his 100th official release across originals and remixes, while also opening the door to his upcoming debut album, Circles. That combination gives the single a rare kind of placement in an artist’s catalog: it looks back at the work it took to get here, then immediately points toward the next body of music.The track is out now via Circle of Life, t
  • Driver405 On Why Remixes Need Their Own Story

    Driver405 On Why Remixes Need Their Own Story
    Driver405’s (@driver405) remix of Valley Lights’ “Alexandra” lands on Outland Recordings as a high-energy rework built from heartbreak, synthpop shine, Italo momentum, and an EBM-leaning bite. The original comes from Valley Lights’ Devil May Care, and Driver405 heard something in the vocal that could move into his own darker, club-focused lane almost immediately.That instinct shaped the whole remix. Instead of treating “Alexandra” as a simple tempo lift,
  • L-Acoustics Invests in Djaayz to Make Hospitality Sound More Intentional

    L-Acoustics Invests in Djaayz to Make Hospitality Sound More Intentional
    L-Acoustics has taken a strategic stake in Djaayz, the DJ-booking platform co-founded by Cathy Guetta and Raphaël Aflalo, in a move that says a lot about how seriously hospitality venues are starting to treat music.On paper, the partnership is fairly direct. Djaayz helps venues discover, book, and manage DJs. L-Acoustics brings the premium sound infrastructure and creative audio technology, including L-Acoustics DJ, that can help those sets land properly in the room. Together, the companies
  • Armin van Buuren and Laidback Luke Join Moises

    Armin van Buuren and Laidback Luke Join Moises
    Moises has announced Armin van Buuren and Laidback Luke as the first members of its new Artist Partnerships program, and the timing feels intentional.AI in music is still stuck between two very different conversations. One side is all anxiety: replacement, ownership, consent, training data, and whether creative labor gets flattened into prompt output. The other side is much more familiar to producers and DJs because music technology has always advanced as artists found faster ways to hear ideas,

Follow @Trance_News_US on Twitter!