• Tracy Emin – howl of agony

    Social history versus art might well be the title of Tate Modern’s Tracy Emin A Second Life retrospective.  30 years ago her installation “My Bed” shot her to a tabloid fame and then gradually to national treasure though retaining her reputation as a “swearing, sexually aggressive provocateur.”  Her initial foray into conceptual art was taken initially as promiscuous boasting but was ultimately seen as a self-portrait of depression, following childhood neg

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