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-
‘Burning Bridges’
via artsjournal.com<a href="https://www.artsjournal.com/herman/2025/06/burning-bridges.html" title="‘Burning Bridges’” rel=”nofollow”><img width="150" height="150" src="https://www.artsjournal.com/belknap/wp-content/uploads/2025/06/the-suitcase-150×150-1.jpg" class="webfeedsFeaturedVisual wp-post-image" -
Don’t Blame Netflix For The End Of Cinema
via archive.phIf you must blame anyone, blame the Boomers, and Gen-X. “One lesson of 2025 may be that only younger people – children in particular – can save cinemas from imminent annihilation.” – Irish Times -
Gary Graffman, Child Piano Prodigy Turned Renowned Teacher And Administrator, Has Died At 97
via nytimes.com“In 1964 Mr. Graffman canceled a booking in Jackson, Miss., after learning that the house would be segregated, leading other prominent classical artists to publicly announce that they would no longer perform in segregated halls.” – The New York Times -
See Roofman, Or At Least Read Slate’s Movie Club About Everything In Film This Year
via slate.comChoosing only one post from these annual critic chats is a challenge, but this 10th in the series features the weirdly, deeply American Roofman (though for the sake of improving both brain and watchlist, read through the entire discussion). – Slate -
Apparently, One Can Insure The Bayeux Tapestry
via theguardian.comDoes £800 million seem like enough? Hm. – The Guardian (UK) -
This Movie Season, Sad Art Dad Is Finally Being Held Responsible For His Actions
via theatlantic.com“Does the Sad Art Dad regret his choices? Is making great art—which, in these films, has a capacious, allegorical quality—worth ruining your relationship with your kids?” – The Atlantic -
The World Is In A Reading Slump. These Podcasts Might Help
via nytimes.comReading is down “thanks in large part to the number of digital distractions competing for our limited attention.” Ironically, these podcasts might help fix that. – The New York Times -
Rob Reiner Was Good At Nearly Every Genre Of Film For One Reason
“What Reiner’s vastly differing films all share is the generous and empathetic heart of their director, a deep sense of humanity, and a relentless curiosity about and love of people, in all their imperfections and quirks.” – Los Angeles Review of Books -
Brigitte Bardot, Who Used Her Stardom To Help Animals But Spew Hatred Of Other Humans, Has Died At 91
via theguardian.comBardot “shot to international fame in 1956 with And God Created Woman” and stayed famous as a “sex kitten” for two decades. Then she retired and became a far-right activist in France, her statements resulting “in a string of convictions for inciting racial hatred.” – The Guardian (UK) -
The ‘Craftivists’ Using Fiber Arts To Fight Back Against The Current US Regime
via theguardian.com“For some fiber artists, craft is inherently political. ‘Creating in a time of destruction and chaos, that is resistance in and of itself,’ said Downey. … But she thinks one of the other successes of craftivism is that “‘it centers joy’” – The Guardian (UK) -
Nazis Plundered 175,000 Church Bells Across Europe, Changing The Sound Of Those Countries Forever
via nytimes.comMore than 150,000 were taken, and never returned, often turned into ammunition or taken to a Glockenfriedhof, or bell cemetery. The sliver of silver lining: “A postwar ‘bell quality race’ … led to major advances in campanology.” – The New York Times -
The Shakers Created A Musical Culture, And Composer Daniel Blumberg Wanted A New Movie To Reflect That Legacy
via yahoo.com“The entire tapestry of this film is musicalized — from the emphatic breathing, chest thumping and floor stomping that make up the worshipers’ rituals, to the songs, inspired by Shaker traditionals and performed by star Amanda Seyfried and the cast.” – Los Angeles Times (Yahoo) -
Kennedy Center Says It Will Sue Chuck Redd For Canceling Christmas Eve Concert After Board Adds Trump Name To Building
via npr.orgThe spokesperson at the Kennedy Center told NPR, “Any artist cancelling their show at the Trump Kennedy Center over political differences isn’t courageous or principled—they are selfish, intolerant, and have failed to meet the basic duty of a public artist.” – NPR -
The London Eye’s Architect Has Designed A Renewable Energy AI Source
via theguardian.comThe tidal power station “would curve from Minehead to Watchet and use 125 underwater turbines to harness the power of the second-highest tidal range in the world” – and also become a race track for cyclists. – The Guardian (UK) -
There’s A Rule Broadway Insiders Follow
via msn.comIt’s called the two-block rule, as in, if you need to trash the show, wait until you’re two blocks away. “You wouldn’t go to someone’s house and trash their cooking, so why would you do that in a theatre?” – Washington Post (MSN) -
Why It Matters That We Can Interpret Symbols In Art And Literature
via lithub.com“Something profound is lost when we reject the symbolic, that well-spring of human communication since an Australopithecus some three-million years ago found a pebble on the South African savannah and held onto it because the rock happened to look like a human face.” – LitHub -
Designing A Mostly Happy, Hippie Sci-Fi Apolcalypse
via fastcompany.comFor instance, in Pluribus, “the music was designed to explore the tension between the pain of individuality and the comfort of surrender.” – Fast Company -
Heated Rivalry Is Not Just That Gay Hockey Show, It Also Can Teach You More About Canadian Music
via cbc.ca“Streaming numbers have reflected the craze, with multiple tracks from featured Canadian artists ‘jumping tens of thousands of per cent in streams and thousands of new playlist adds in a matter of days’ — most notably for Feist and Wolf Parade.” – CBC -
The Guardian’s Twelve Worst Films Of The Year
via theguardian.comWorth a read just for the pans: “This listless and supercilious musical – ostensibly on the theme of heartwarming home town values – … flatlines like a hedgehog run over by an 18-wheeler.” Ouch. – The Guardian (UK) -
The Ukrainian City Where ‘Carol Of The Bells’ Was Born Has Been Destroyed By Russia
via yahoo.comPokrovsk’s displaced choir had to distill “the complex choral melody for just three singers this Christmas, down from the usual 30. Hearing the arrangement performed by three singers gives a sense of Ukraine at the moment after years of war: depleted, persistent, still beautiful.” – Washington Post (Yahoo) -
AI that turns Museums into Conversations: The Digital Twin
via artsjournal.comMuseums still operate as if interpretation is a one-way stream, produced by experts and consumed by the public. Instead, imagine an exhibition that doesn’t just speak, but listens and responds. -
Cheyenne King-Bails talks about the extraordinary impact of the SphinxConnect conference
via artsjournal.comCheyenne King-Bails, Director of Community Experience at The Sphinx Organization, shares the value of the SphinxConnect conference and its impact on the arts community. -
Dear Mayor Mamdani: Here’s Your Art Everywhere
via artsjournal.comDear Mayor Mamdani, We love your love of arts for all, and we swooned when we read that your favorite museum is the art we all see and share together in the NYC subway: the “…beautiful murals and pieces of art across our subway system. And the fulfillment of art as being something for the […] -
Welcome to Twenty Twenty-Six
via artsjournal.comHeavy winter snows whitened the trees. They turned the branches into filigrees shivering in the wind. -
‘Weapons of mass construction’: the US ‘craftivists’ using yarn to fight back against Trump
Fiber artists across the US are using their craft to protest against everything from national guard deployments to rollbacks on abortion rightsIn early October, Tracy Wright invited a group of other women in her social circle – all fellow knitters – to gather outside the US Immigration and Customs Enforcement (ICE) facility in their home town of Portland, Oregon. They were “armed with their weapons of mass construction”.Donald Trump had just ordered national guard troops -
‘It’s all about love’: how a Swiss photographer’s intimate honeymoon pictures caused a scandal
René Groebli took portraits of Charlie Chaplin and Walt Disney and pioneered new modes of photography. But it was his tender, erotic pictures taken in a Paris hotel room in the 50s that really caused a stirIn 1952, two young honeymooners checked into a small hotel in Montparnasse. An everyday story in the City of Light, perhaps. But the Swiss photographer René Groebli and his wife, Rita Dürmüller, spent their time in Paris cocooned in their room producing a series of phot -
Merry Christmas
via artsjournal.comToday’s highlights: The traditional art market is facing a reckoning as 2025 comes to a close. There was a flood of gallery closures and downsizings this year, marking a period of “endings more than beginnings” as the industry searches for a more sustainable model (ARTnews ). In the publishing world, the mass-market paperback is–shockingly– about to disappear from the U.S. market following a major distributor’s decision to halt operations (Publishers Weekly ). -
“Nothing Is Too Extravagant For Christ” — This May Be America’s Most Over-The-Top Christmas Pageant
via texasmonthly.comThe 17,000 costume pieces are the least extravagant feature of The Gift of Christmas, the annual spectacular presented by Prestonwood Baptist Church near Dallas. On the 300-foot stage are LED screens, lasers, fireworks, trapezing elves, flying angels, and 21 animals. (And yes, shepherds, three kings, and the Holy Family. And Santa.) – Texas Monthly -
Why Did So Many Art Galleries Close This Year?
via artnews.comOverall, when it came to galleries, the dominant vibe was one of endings more than beginnings—and it continued a building drumbeat. Those who closed or significantly downsized in 2025, after all, joined others that have expired in previous years. – ARTnews -
Archaeologist Discovers A Pharaoh’s “Valley Temple”
via news.artnet.com“Nyuserra’s sun temple, which is located in Abu Ghurab about 10 miles south of Cairo, was composed of two parts: the previously excavated upper temple and the valley temple (alongside the Nile), which Massimiliano Nuzzolo began work on in 2024.” – Artnet
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