• El Anatsui/Turbine Hall review – miracles in gleaming gold made from recycled rubbish

    El Anatsui/Turbine Hall review – miracles in gleaming gold made from recycled rubbish
    Based in Nigeria, this colossus of contemporary art has cleverly used the natural light of Tate’s Turbine Hall to create a masterpiece poised somewhere between desolation and hopeFrom a distance it looks ugly and apocalyptic, like a burned-out curtain. But approach the biggest of the three hangings dropping from the heights of Tate Modern’s Turbine Hall and a miracle begins. What seemed to be dingy and melancholy becomes radiant and weightless, holding and treasuring light from above
  • AI and the landscapes of Capability Brown – in pictures

    AI and the landscapes of Capability Brown – in pictures
    Digital artist Daniel Ambrosi has created an exhibition that interprets quintessentially English, eighteenth-century vistas with AI. The exhibition runs at the Robilant+Voena gallery in London from 6 October Continue reading...
  • ‘It’s the opposite of porn’: the astonishing art and life of Nicole Eisenman

    ‘It’s the opposite of porn’: the astonishing art and life of Nicole Eisenman
    She spent most of the 90s addicted to heroin, producing riotous work that included The Flintstones’s Wilma and Betty getting it on. Ahead of a major retrospective, the great artist looks back on a momentous 30-year careerNicole Eisenman hates talking about her work. She asked for a list of questions in advance, but has decided they’re too laden with -isms, so perhaps it would be better just to go for a chat. “When I’m in the studio painting,” she says, “I don&

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