Push for Brisbane to further celebrate its second seminal band as Ed Kuepper Park named in city’s south-westThe cultural contribution of Ed Kuepper to the city of Brisbane is set to be formally recognised, with a park close to his childhood home in the south-western suburb of Oxley set to be named in his honour.
Ed Kuepper Park – the sign for which is now being made – adjoins Oxley Road and Lawson Street. The name was approved by the council after a petition by local resident M
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Saint Ed Kuepper to be honoured with renamed Brisbane park
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Jesy Nelson Should ‘Be Careful’ As Claims Emerge Her New Man Cheated On His Ex
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Pierre Henry obituary
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Twickenham Stadium
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5 Unforgettable Moments From The Killers' BST Hyde Park Show
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True Faith; New Order + Liam Gillick: So It Goes review – Factory legacy holds sway
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Whether playing virtuosic jazz or ‘acoustic techno’, these former Brooklyn buskers rockIt’s a Monday night in south London, and the crowd at Omeara is going absolutely wild over a vegan experimental jazz band. One saxophonist looks like he’s on loan from a metal band, the other fixes his stare on the crowd with the intensity of a rapacious shark. The raucous 90-minute set comprises a single song with a killer hook.Moon Hooch started as buskers in Brooklyn, until the -
Haim: Something to Tell You review – once more with feeling
(Polydor)
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Toro y Moi: Boo Boo review – haunted wistfulness
(Carpark)Chaz Bear’s down-tempo project abandons the almost-rock of last album What For? and replaces it with indie-R&B, reminiscent of his 2011 take on 1980s groove classic Saturday Love. When it works, it’s easy to imagine Drake borrowing some of these muffled rhythms and muted pianos for his latest mixtape. Unfortunately, Bear can’t rely on the strength of Drizzy’s personality to lift the weaker songs and when he reaches for the Auto-Tune, it becomes difficult to e -
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(Rough Trade)Paris-based Kate Stables returned to Bristol for her fourth album, with production duties undertaken by longtime PJ Harvey foil John Parish. There might be echoes of Dry-era Polly Jean on Hotter Colder (if Dry had featured wild sax solos), but for the most part this is a highly individual take on alt-folk. Musically, there’s a wealth of ideas, Parish’s minimalist arrangements allowing each instrument room to breathe and foregrounding Stables’s vocals – a wise -
Sivu: Sweet Sweet Silent review – beguiling developments
(Square Leg)The second album from Cornish singer-songwriter James Page is an eerie, subtle thing, insinuating itself by the softest of hooks. Though recorded, like 2014 debut Something on High, with Alt-J producer Charlie Andrew, it moves further away from indie convention, inspired by heroes such as Björk, Beck and Radiohead. Page’s voice is gently unnerving, tiptoeing through a circling choral motif and metallic clankings on Submersible, reflecting on his diagnosis with the inner ea -
Public Service Broadcasting: Every Valley review – lament for a lost way of life
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Offa Rex: The Queen of Hearts review – Olivia Chaney and the Decembrists rock
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Walton: Violin Concerto, Partita and Hindemith Variations CD review – an exhilarating disc
Anthony Marwood (violin), BBC Scottish Symphony Orchestra/Brabbins
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Carnevale 1729 CD review – Ann Hallenberg dazzles
Ann Hallenberg (mezzo-soprano), Il pomo d’oro/Montanari
(Pentatone) (2 CDs)The Venetian carnival season was an orgy in several ways, with theatres competing frantically to present famous singers in new operas, and endless rivalries and scandals. This amazing collection of showstopping hits from a single season, 1729 – almost all world premiere recordings – features unknown composers Orlandini and Giacomelli alongside the slightly better known Leo, Vinci and Porpora, while Albin
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