• Be Deliberate With Your Composition

    Be Deliberate With Your Composition
    Composition in photography can be challenging. It involves a series of rules that some say are to be followed, others say to be broken, and some say to be bent. What exactly are you looking for in a composition? How do the rules play together? Not wasting space in the frame is a great way to start.[ Read More ]
  • Portrait Photographer Tries Shooting Ultra-Wide With the Viltrox AF 14mm f/4.0 Air Z Lens

    As a seasoned portrait photographer, stepping into the world of 14mm shooting was new territory, but it also served as a great opportunity to put the Viltrox AF 14mm f/4.0 Air Z through its paces. This ultra-wide prime autofocus lens encouraged me to see new places and familiar faces with fresh eyes, revealing perspectives and compositions I wouldn’t normally explore.[ Read More ]
  • If You Only Bring One Prime: 50mm or 85mm?

    A 50mm and an 85mm can both make strong portraits, but they push you into different decisions the moment you pick one. This video puts the Viltrox AF 50mm f/1.4 Pro FE and Viltrox AF 85mm f/1.4 Pro FE in the same real location so you can see what changes when you use both.[ Read More ]
  • Rain, Fog, Snow: 12 Photos That Prove the Plan Is Optional

    You can spend a whole year chasing the next trip and still miss what actually moved your work forward. This recap is built around that tension: the gear and locations change, but the real lesson is how you respond when the day refuses to match the plan.[ Read More ]
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  • Why Instagram Doesn’t Reward Effort Anymore

    Instagram is changing what “good” looks like, and it’s not the kind of change you can fix with a new lens or cleaner color. If you keep posting work that looks polished and still get silence, this video lays out a reason that’s hard to ignore.[ Read More ]
  • The Biggest Photography Stories of January 2026

    January opens the year with CES and closes before the spring photography-focused trade shows like CP+ and NAB. It is often treated as a transitional month, but 2026 proved anything but routine. Between major gear launches, regulatory crackdowns on AI tools, a prestigious engineering award for the inventor behind every camera sensor on the planet, and the continued evolution of what photographers and audiences consider "authentic," the first month of 2026 delivered stories that will shape the ind
  • Fstoppers Photographer of the Month (January 2026): Christopher Doelman

    The Fstoppers community is brimming with creative vision and talent. Every day, we comb through your work, looking for images to feature as the Photo of the Day or simply to admire your creativity and technical prowess. In 2026, we're featuring a new photographer every month, whose portfolio represents both stellar photographic achievement and a high level of involvement within the Fstoppers community.[ Read More ]
  • Photography Isn’t About the Camera — It’s About Learning How to See

    “Wow, what an amazing photograph. What camera do you use?” “I really love your photographs; you must have a very expensive camera.” “Gee, thanks. I use a very old, outdated camera system that’s not very expensive at all.” Let's talk about gear and how it doesn't make you a better photographer.
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  • Starting Photography? Avoid These Three Mistakes That Waste Time and Money

    Buying a first camera can feel like a test you have to pass before you even take a photo. This video is about avoiding the early traps that waste money, kill momentum, and make you second-guess every click.[ Read More ]
  • Stop Waiting for the “Right” Camera and Start Getting Better Results

    Lightroom Classic can either become the place where your landscape work stays alive for years, or the thing you install after you have already lost track of it. The video lays out a few mistakes that feel small in the moment, then show up later as missing files, wasted trips, and slow progress.[ Read More ]
  • Eye Bag Removal in Photoshop That Still Looks Real at 100%

    Dark under-eye bags can wreck an otherwise strong portrait, and heavy-handed fixes usually leave that telltale “plastic” skin. In this video, the focus is removing extreme eye bags in Photoshop while keeping texture believable at 100%.[ Read More ]
  • The Affordable f/1.2 Canon RF Prime: What the Canon RF 45mm f/1.2 STM Gets Right (and Wrong)

    A sub-$500 autofocus f/1.2 prime sounds like a pricing error, especially in Canon RF. The real question is what you give up to get that bright aperture in a lens that stays small.[ Read More ]
  • The "Fun Camera" Effect: Why People Buy Worse Cameras

    There's a particular kind of cognitive dissonance that happens when you spend months researching dynamic range charts, reading MTF curves, and comparing autofocus systems, only to find yourself genuinely excited about a plastic camera with a 1.6-megapixel sensor that hangs from your keychain. I've spent years writing about camera technology for this site, dissecting the differences between sensors and explaining why certain lenses outperform others. And yet, some of the most enjoyable photograph
  • The Habits That Quietly Ruined His Photography for Years

    A strong year of work often collapses under habits you barely notice. This video argues that your progress stalls less from gear limits and more from patterns that quietly drain momentum.[ Read More ]
  • Why Camera Upgrades Feel Incremental and Why Leica Still Feels Different

    Decades ago, when a new iteration of your favorite camera model was released, you looked forward to seeing the meaningful improvements the new model offered. Today, the Mk II version of a camera is likely to be almost indistinguishable from its predecessor. The only time the new offering is unique is when that camera was made by Leica.[ Read More ]
  • Which Superzoom Wins in Real Use: Tamron 25-200mm or Sigma 20-200mm?

    A 20-200mm travel zoom sounds like a dream until you try to live with one. This video puts two real options head-to-head and forces you to think about what you actually shoot when you only want to carry one lens.[ Read More ]
  • Why Long Exposures Fall Apart and What to Shoot Instead

    Weather can wreck a plan fast, especially when you packed for long exposures and wake up to wind and rain. This video shows how to salvage a shot when the light refuses to cooperate.[ Read More ]
  • AI Images That Look Real: What Happens to Your Photography Next?

    AI image generators are making images that look like photographs, and it’s pushing you to ask what part of your work is skill, taste, or just access to a tool like Photoshop. That question hits even harder when a prompt can produce something that passes at a glance, whether it’s going on your website, a client deck, or a social feed.[ Read More ]
  • Two Useful New Adjustment Layers for Photoshop Users

    Photoshop just added two adjustment layers that used to force a detour through Camera Raw: “Clarity and Dehaze” and “Grain.” If you edit photos and rely on selective control, the shift is that these effects now live where masks, stacking, and quick revisions are already part of your daily flow.[ Read More ]
  • What Reviewing a Year of Photos Taught Me About Who I Am as a Photographer

    Every year, I make it a ritual to look back at the photographs I’ve taken—not just to see if I ended up with a set of images I’m actually happy with, but to understand what they say about me. Reviewing a year’s worth of images can reveal patterns you didn’t know were there: the subjects you’re drawn to, the way you use light, the emotions you chase. It’s an honest reflection of who you are as a photographer—and who you’re becoming.[ Read More
  • The Tamron 25-200mm f/2.8-5.6 G2: The Superzoom Lens for You?

    A do-it-all zoom sounds like freedom until you hit the usual traps: soft corners, jittery focus, and a slow aperture right when you need light. The video takes the Tamron 25-200mm f/2.8-5.6 Di III VXD G2 into an actual portrait shoot and treats it like a real tool, not a spec sheet.[ Read More ]
  • Mechanical Shutter vs. Electronic Shutter: When Each Wins

    The photography internet loves a good "this technology is dead" narrative, and mechanical shutters have been on the chopping block for years. Every time a manufacturer announces a new mirrorless body with blazing electronic shutter speeds, someone declares that physical shutter curtains are finally obsolete. The reality is considerably more interesting. Both shutter types remain genuinely useful tools, each with scenarios where it clearly outperforms the other. Understanding when to reach for ea
  • Xtra Atto: The Game-Changing Mini 4K Action Cam for Creators Debuts in the US

    Xtra is an innovative U.S.-registered startup founded by an experienced team dedicated to advancing imaging technology. Having established a strong foundation with products such as the Xtra Muse, Xtra Sphra360, Xtra Edge and Xtra Edge Pro.Xtra’s latest product is aimed at those needing a lightweight, highly versatile solution to film BTS and POV content on the move. They call it Atto. And looking at the specs, it’s rather impressive![ Read More ]
  • The Studio Gear List That Actually Pays Off (And the Stuff That Doesn't)

    Gear guilt is real when you’ve got a closet full of tools and a nagging feeling that the next purchase will finally fix your work. The smarter question is when equipment actually earns its keep and when it just sits there, quietly draining cash and attention.[ Read More ]
  • Photoshop 27.3.0 Is Here: The Upgrades You’ll Actually Notice

    Photoshop 27.3.0 just dropped, and it targets the exact spots where edits bog down: local contrast tweaks, expansion quality, and cleanup around faces. If you do any real retouching work, this update changes what you can trust inside one PSD without detouring into other dialogs.[ Read More ]
  • Le Gouffre Sunset Capture Wins POTW

     A beautiful photo of Le Gouffre in Brittany by EveLine1 has been chosen as our latest 'Photo of the Week' (POTW) winner.Taken at sunset, the image has a calm, quiet feel that draws you in. The house stands alone, with the land and rocks around it edited out to make it look like it’s floating. This clever touch adds a soft, peaceful mood to the scene. It’s a lovely piece of work, well put together and very deserving of this week’s award.Every Photo of the Week (POTW) winne
  • Nikon Nikkor Z DX MC 35mm f/1.7 Lens Review

     Nikon now turns their attention to the DX format (APS-C or crop sensor) Z series mirrorless cameras. This stocky but relatively small 35mm f/1.7 gives a “35mm format equivalent” 50mm field of view, is fast and also focuses to macro distances. It is also relatively inexpensive, but as we have seen before this is no obstacle to Nikon producing some very fine lenses that perform impeccably. Have they hit the spot again? Let's find out, using the delightful 20MP retro designed Niko
  • Datacolor Announced SpyderPro Software Update with New Tools for Display Calibration

     Datacolor released its all-new SpyderPro software update, introducing calibration tools designed for ultra-bright displays (up to 12,000 nits), including OLED, QD-OLED, mini-LED and Apple Liquid Retina XDR. FeaturesThis release enhances display calibration and streamlines creative workflows with features such as:3D LUT (.cube) Export: Delivers precise calibration for compatible video monitors, ideal for professional video and cinema workflows, at an unmatched price point.Device Previe
  • Rescue the Unusable: How AI Brings Old Photos and Videos Back in 4K Clarity

    - Partner Content -   For decades, countless memories have been locked inside the limits of early digital cameras and consumer video gear. Grainy low-light shots, motion blur, and fuzzy VHS transfers have left families and professionals alike wondering whether their old footage could ever look good again.Thanks to advances in artificial intelligence, that’s no longer wishful thinking. AI-based enhancement tools can now reconstruct missing detail, reduce noise, and upscale im
  • Sunset at Bluff Knoll Wins 'Photo of the Week'

     Sunset at Bluff Knoll by ePz member jowita1226 has won this week’s Photo of the Week (POTW) award.This is a wonderful shot with great composition and a calm mood. The warm evening light spreads over the mountains, showing soft colours and gentle detail that pull you into the scene. The person standing near the edge adds balance and shows how big and open the view is. The view is stunning, and the light gives the whole scene a warm, quiet beauty.We think it's a beautiful shot that's f

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