• The First American Wanted Poster With Photographs Went Out in 1865, and One of the Three Faces May Be the Wrong Brother

    The First American Wanted Poster With Photographs Went Out in 1865, and One of the Three Faces May Be the Wrong Brother
    The War Department's April 20, 1865 reward broadside carries three photographs a little over three inches tall, pasted by hand into printed frames at the top of a sheet nearly two feet long. Somebody sat with a pot of paste and a stack of prints and mounted them one sheet at a time. No two copies of the most famous wanted poster in American history are quite the same object. [Read More]
  • The Real Reason Most Photography Websites Fail

    The Real Reason Most Photography Websites Fail
    When you build your first photography website, the platform you use can make it remarkably easy to include everything. Within an afternoon, you’ve populated a portfolio template, drafted an "About Me" page, and installed an e-commerce plugin to sell prints. You create a space for your blog. It feels productive, with every feature you can think of accounted for. You sit back and wait for visitors. Over time, though, the site may begin to feel less like a cohesive body of work and more like
  • Every Flash Photo Is Really Two Exposures

    Every Flash Photo Is Really Two Exposures
    Most people who freeze up with flash have memorized a few settings that worked once, and those settings fall apart the moment the sun moves or the room gets darker. A fixed order of decisions, run the same way with a small Westcott FJ strobe or a big one, gets you to a good frame faster than any saved power number. [Read More]
  • Is the Tamron 16-50mm f/2.8 the APS-C Zoom Worth Leaving on Your Camera?

    Is the Tamron 16-50mm f/2.8 the APS-C Zoom Worth Leaving on Your Camera?
    A constant f/2.8 standard zoom is the lens most APS-C shooters end up leaving on the camera, yet the options have often been heavy, expensive, or simply missing from certain mounts. The Tamron 16-50mm f/2.8 costs roughly half as much as Sony's own equivalent and weighs far less, which raises a fair question about what you give up for the savings. [Read More]
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  • Luminar Comes to Your Browser With AI Editing and Raw Support in a Slick Interface

    Luminar Comes to Your Browser With AI Editing and Raw Support in a Slick Interface
    Luminar is now offering something pretty unique for photo editors who want a powerful yet portable web-based editor. It's called Luminar on Web, which certainly describes its functionality. Luminar on Web is a new browser-based product allowing for easier access to high-grade photo editing from anywhere without powerful hardware, long app installations, or years of experience.Here are a few facts about Luminar on Web:[Read More]
  • Why Last Week's Photos Are the Hardest to Judge

    Why Last Week's Photos Are the Hardest to Judge
    The photos you hauled a heavy pack up a mountain to make will almost always feel stronger than the ones you grabbed on a walk to the grocery store. That gap between how an image feels to you and how it reads to everyone else shapes what you print, what goes into a book, and what you show the world. [Read More]
  • How Photoshop Blend Modes Actually Work

    How Photoshop Blend Modes Actually Work
    Blend modes sit in a dropdown at the top of the Layers panel in Photoshop, and a lot of people choose one by scrolling until something looks right. Once you know what each mode does to light pixels, dark pixels, and everything in between, that guessing becomes a choice you can repeat on sky replacements, retouching, textures, and composites. [Read More]

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