• Anker Prime Wireless Charging Station Review: A Fast MagSafe Charger Worth the Premium

    Wireless charging usually involves a trade-off. You get the convenience of simply dropping your phone onto a pad, but you sacrifice speed. MagSafe made things better with magnetic alignment, but even at 15 W, it felt like a compromise compared to plugging in a cable. The new Qi2.2 standard changes that equation, and Anker's Prime Wireless Charging Station represents one of the most compelling implementations I've used. At $149.99, this isn't an impulse purchase. But after a week of daily use cha
  • Can a Pocket-Sized Telescope Be a Real Astrophotography Tool?

    When I first heard about the Dwarf Mini Smart Telescope, I have to admit I was skeptical. A smart telescope you can carry in a pocket (albeit a large pocket like a photographer's vest), plop down, and produce decent astrophotos seemed like a stretch. Smart telescopes have certainly evolved over the last few years, and I've reviewed a few of them.[ Read More ]
  • Why Your Mindfulness Practice Is Stalling Your Growth

    Photography increasingly measures its progress through internal states rather than visible change. The language of self-care feels ethical and mature, but it quietly removes the ability to tell whether the work itself is improving.[ Read More ]
  • How to Make Digital Look Like Film Without Killing Detail

    Highlight control in Lightroom is where a clean edit either holds together or falls apart. If skies keep turning chalky or faces get shiny fast, the fix is often less about contrast and more about what you do with the brightest tones.[ Read More ]
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  • How to Stop Overshooting Without Missing the Moment

    Bad habits don’t always ruin your photos in the moment. They ruin your time, your storage, and your willingness to pick up the camera tomorrow. If you shoot regularly, these patterns creep in fast, and plenty of photographers don’t notice until the backlog feels unmanageable.[ Read More ]
  • How to Get Gets Natural Color Without Buying a New Camera

    Your camera probably isn’t the reason your color looks dull. This video makes the case that the real gains come from how you handle light, exposure, and a few choices you lock in while you shoot.[ Read More ]
  • A Mistake Almost Every New Photographer Makes

    Here's a scenario most photographers will recognize: you come home from a portrait session or family event with 800 frames on your memory card, feeling like you absolutely nailed it. Three hours of culling later, you've exported maybe 15 images worth keeping. The math on that works out to under 2%, which isn't a success rate so much as it is a coin flip repeated until something lands.[ Read More ]
  • How to Start Lightroom Classic the Right Way in 2026

    Adobe Lightroom Classic still scares people off in 2026, mostly because the first 10 minutes feel like a wall of buttons and empty panels. If you shoot a lot, you need a setup that keeps files predictable and edits reversible, not a messy pile of “final_final_2” exports.[ Read More ]
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  • Portrait Photographer Tries Shooting Ultra-Wide With the Viltrox AF 14mm f/4.0 Air Z Lens

    As a seasoned portrait photographer, stepping into the world of 14mm shooting was new territory, but it also served as a great opportunity to put the Viltrox AF 14mm f/4.0 Air Z through its paces. This ultra-wide prime autofocus lens encouraged me to see new places and familiar faces with fresh eyes, revealing perspectives and compositions I wouldn’t normally explore.[ Read More ]
  • If You Only Bring One Prime: 50mm or 85mm?

    A 50mm and an 85mm can both make strong portraits, but they push you into different decisions the moment you pick one. This video puts the Viltrox AF 50mm f/1.4 Pro FE and Viltrox AF 85mm f/1.4 Pro FE in the same real location so you can see what changes when you use both.[ Read More ]
  • Rain, Fog, Snow: 12 Photos That Prove the Plan Is Optional

    You can spend a whole year chasing the next trip and still miss what actually moved your work forward. This recap is built around that tension: the gear and locations change, but the real lesson is how you respond when the day refuses to match the plan.[ Read More ]
  • Why Instagram Doesn’t Reward Effort Anymore

    Instagram is changing what “good” looks like, and it’s not the kind of change you can fix with a new lens or cleaner color. If you keep posting work that looks polished and still get silence, this video lays out a reason that’s hard to ignore.[ Read More ]
  • The Biggest Photography Stories of January 2026

    January opens the year with CES and closes before the spring photography-focused trade shows like CP+ and NAB. It is often treated as a transitional month, but 2026 proved anything but routine. Between major gear launches, regulatory crackdowns on AI tools, a prestigious engineering award for the inventor behind every camera sensor on the planet, and the continued evolution of what photographers and audiences consider "authentic," the first month of 2026 delivered stories that will shape the ind
  • Fstoppers Photographer of the Month (January 2026): Christopher Doelman

    The Fstoppers community is brimming with creative vision and talent. Every day, we comb through your work, looking for images to feature as the Photo of the Day or simply to admire your creativity and technical prowess. In 2026, we're featuring a new photographer every month, whose portfolio represents both stellar photographic achievement and a high level of involvement within the Fstoppers community.[ Read More ]
  • Photography Isn’t About the Camera — It’s About Learning How to See

    “Wow, what an amazing photograph. What camera do you use?” “I really love your photographs; you must have a very expensive camera.” “Gee, thanks. I use a very old, outdated camera system that’s not very expensive at all.” Let's talk about gear and how it doesn't make you a better photographer.
    [ Read More ]
  • Starting Photography? Avoid These Three Mistakes That Waste Time and Money

    Buying a first camera can feel like a test you have to pass before you even take a photo. This video is about avoiding the early traps that waste money, kill momentum, and make you second-guess every click.[ Read More ]
  • Stop Waiting for the “Right” Camera and Start Getting Better Results

    Lightroom Classic can either become the place where your landscape work stays alive for years, or the thing you install after you have already lost track of it. The video lays out a few mistakes that feel small in the moment, then show up later as missing files, wasted trips, and slow progress.[ Read More ]
  • Eye Bag Removal in Photoshop That Still Looks Real at 100%

    Dark under-eye bags can wreck an otherwise strong portrait, and heavy-handed fixes usually leave that telltale “plastic” skin. In this video, the focus is removing extreme eye bags in Photoshop while keeping texture believable at 100%.[ Read More ]
  • The Affordable f/1.2 Canon RF Prime: What the Canon RF 45mm f/1.2 STM Gets Right (and Wrong)

    A sub-$500 autofocus f/1.2 prime sounds like a pricing error, especially in Canon RF. The real question is what you give up to get that bright aperture in a lens that stays small.[ Read More ]
  • The "Fun Camera" Effect: Why People Buy Worse Cameras

    There's a particular kind of cognitive dissonance that happens when you spend months researching dynamic range charts, reading MTF curves, and comparing autofocus systems, only to find yourself genuinely excited about a plastic camera with a 1.6-megapixel sensor that hangs from your keychain. I've spent years writing about camera technology for this site, dissecting the differences between sensors and explaining why certain lenses outperform others. And yet, some of the most enjoyable photograph
  • The Habits That Quietly Ruined His Photography for Years

    A strong year of work often collapses under habits you barely notice. This video argues that your progress stalls less from gear limits and more from patterns that quietly drain momentum.[ Read More ]
  • Why Camera Upgrades Feel Incremental and Why Leica Still Feels Different

    Decades ago, when a new iteration of your favorite camera model was released, you looked forward to seeing the meaningful improvements the new model offered. Today, the Mk II version of a camera is likely to be almost indistinguishable from its predecessor. The only time the new offering is unique is when that camera was made by Leica.[ Read More ]
  • Which Superzoom Wins in Real Use: Tamron 25-200mm or Sigma 20-200mm?

    A 20-200mm travel zoom sounds like a dream until you try to live with one. This video puts two real options head-to-head and forces you to think about what you actually shoot when you only want to carry one lens.[ Read More ]
  • Why Long Exposures Fall Apart and What to Shoot Instead

    Weather can wreck a plan fast, especially when you packed for long exposures and wake up to wind and rain. This video shows how to salvage a shot when the light refuses to cooperate.[ Read More ]
  • AI Images That Look Real: What Happens to Your Photography Next?

    AI image generators are making images that look like photographs, and it’s pushing you to ask what part of your work is skill, taste, or just access to a tool like Photoshop. That question hits even harder when a prompt can produce something that passes at a glance, whether it’s going on your website, a client deck, or a social feed.[ Read More ]
  • Two Useful New Adjustment Layers for Photoshop Users

    Photoshop just added two adjustment layers that used to force a detour through Camera Raw: “Clarity and Dehaze” and “Grain.” If you edit photos and rely on selective control, the shift is that these effects now live where masks, stacking, and quick revisions are already part of your daily flow.[ Read More ]
  • What Reviewing a Year of Photos Taught Me About Who I Am as a Photographer

    Every year, I make it a ritual to look back at the photographs I’ve taken—not just to see if I ended up with a set of images I’m actually happy with, but to understand what they say about me. Reviewing a year’s worth of images can reveal patterns you didn’t know were there: the subjects you’re drawn to, the way you use light, the emotions you chase. It’s an honest reflection of who you are as a photographer—and who you’re becoming.[ Read More
  • The Tamron 25-200mm f/2.8-5.6 G2: The Superzoom Lens for You?

    A do-it-all zoom sounds like freedom until you hit the usual traps: soft corners, jittery focus, and a slow aperture right when you need light. The video takes the Tamron 25-200mm f/2.8-5.6 Di III VXD G2 into an actual portrait shoot and treats it like a real tool, not a spec sheet.[ Read More ]
  • Mechanical Shutter vs. Electronic Shutter: When Each Wins

    The photography internet loves a good "this technology is dead" narrative, and mechanical shutters have been on the chopping block for years. Every time a manufacturer announces a new mirrorless body with blazing electronic shutter speeds, someone declares that physical shutter curtains are finally obsolete. The reality is considerably more interesting. Both shutter types remain genuinely useful tools, each with scenarios where it clearly outperforms the other. Understanding when to reach for ea
  • Xtra Atto: The Game-Changing Mini 4K Action Cam for Creators Debuts in the US

    Xtra is an innovative U.S.-registered startup founded by an experienced team dedicated to advancing imaging technology. Having established a strong foundation with products such as the Xtra Muse, Xtra Sphra360, Xtra Edge and Xtra Edge Pro.Xtra’s latest product is aimed at those needing a lightweight, highly versatile solution to film BTS and POV content on the move. They call it Atto. And looking at the specs, it’s rather impressive![ Read More ]
  • The Studio Gear List That Actually Pays Off (And the Stuff That Doesn't)

    Gear guilt is real when you’ve got a closet full of tools and a nagging feeling that the next purchase will finally fix your work. The smarter question is when equipment actually earns its keep and when it just sits there, quietly draining cash and attention.[ Read More ]
  • Photoshop 27.3.0 Is Here: The Upgrades You’ll Actually Notice

    Photoshop 27.3.0 just dropped, and it targets the exact spots where edits bog down: local contrast tweaks, expansion quality, and cleanup around faces. If you do any real retouching work, this update changes what you can trust inside one PSD without detouring into other dialogs.[ Read More ]
  • Le Gouffre Sunset Capture Wins POTW

     A beautiful photo of Le Gouffre in Brittany by EveLine1 has been chosen as our latest 'Photo of the Week' (POTW) winner.Taken at sunset, the image has a calm, quiet feel that draws you in. The house stands alone, with the land and rocks around it edited out to make it look like it’s floating. This clever touch adds a soft, peaceful mood to the scene. It’s a lovely piece of work, well put together and very deserving of this week’s award.Every Photo of the Week (POTW) winne
  • Nikon Nikkor Z DX MC 35mm f/1.7 Lens Review

     Nikon now turns their attention to the DX format (APS-C or crop sensor) Z series mirrorless cameras. This stocky but relatively small 35mm f/1.7 gives a “35mm format equivalent” 50mm field of view, is fast and also focuses to macro distances. It is also relatively inexpensive, but as we have seen before this is no obstacle to Nikon producing some very fine lenses that perform impeccably. Have they hit the spot again? Let's find out, using the delightful 20MP retro designed Niko
  • Datacolor Announced SpyderPro Software Update with New Tools for Display Calibration

     Datacolor released its all-new SpyderPro software update, introducing calibration tools designed for ultra-bright displays (up to 12,000 nits), including OLED, QD-OLED, mini-LED and Apple Liquid Retina XDR. FeaturesThis release enhances display calibration and streamlines creative workflows with features such as:3D LUT (.cube) Export: Delivers precise calibration for compatible video monitors, ideal for professional video and cinema workflows, at an unmatched price point.Device Previe
  • Rescue the Unusable: How AI Brings Old Photos and Videos Back in 4K Clarity

    - Partner Content -   For decades, countless memories have been locked inside the limits of early digital cameras and consumer video gear. Grainy low-light shots, motion blur, and fuzzy VHS transfers have left families and professionals alike wondering whether their old footage could ever look good again.Thanks to advances in artificial intelligence, that’s no longer wishful thinking. AI-based enhancement tools can now reconstruct missing detail, reduce noise, and upscale im
  • Sunset at Bluff Knoll Wins 'Photo of the Week'

     Sunset at Bluff Knoll by ePz member jowita1226 has won this week’s Photo of the Week (POTW) award.This is a wonderful shot with great composition and a calm mood. The warm evening light spreads over the mountains, showing soft colours and gentle detail that pull you into the scene. The person standing near the edge adds balance and shows how big and open the view is. The view is stunning, and the light gives the whole scene a warm, quiet beauty.We think it's a beautiful shot that's f
  • Penda Photo Tours Opens Global Travel Photography Competition to Support Wild Shots Outreach

     Penda Photo Tours has opened entries for its Penda Travel Photography Competition 2025. Open to all photographers around the world, it offers a chance to win a dream safari in Botswana. It will also raise funds for Wild Shots Outreach, a nonprofit that teaches wildlife and conservation photography to young people in South Africa who have limited access to resources. Photography with PurposePenda’s collaboration with Wild Shots Outreach underscores the belief that photography can
  • Monochrome Oregon Coast Scene Wins POTW Accolade

     ‘Forest’ by BathBun stood out in the Gallery this week, earning the title of ‘Photo of the Week’ (POTW).This is a fantastic shot and a fine example of great photography. Taken along the Oregon coast, it presents a group of Sea Palms growing on rocks washed by the tide. The long exposure turns the rushing water into soft white streaks, giving the scene a dreamy, almost misty look. The dark forms of the Sea Palms rise above the flow, adding contrast and focus to the s
  • Behind the Scenes: Four Easy Steps Light Painting an Abandoned Home at Night

    Behind the Scenes: Four Easy Steps Light Painting an Abandoned Home at Night
    We take you behind the scenes to reveal how you can use handheld light to create photos such as this mysterious abandoned modern house in the Mojave Desert.[ Read More ]
  • 10 Camera Lenses So Ridiculously Extreme They Shouldn't Exist

    10 Camera Lenses So Ridiculously Extreme They Shouldn't Exist
    When most photographers talk about extreme lenses, they're thinking about a fast 85mm f/1.4 or maybe an extra-wide 11mm rectilinear lens. But there's a whole other universe of optical madness where lenses weigh hundreds of pounds, cost more than houses, and push the boundaries of physics so hard they make normal photography look quaint.[ Read More ]
  • A $269 Tripod That Can Do This?

    A $269 Tripod That Can Do This?
    Tripods get super expensive very quickly, and if you are a full-time pro, you will most definitely be familiar with the price tags. If video is something you are trying out, or just doing for fun, you may also need a tripod—a tripod that is lightweight and has enough features.
    [ Read More ]
  • 5 Lightroom Secrets You Should Know

    5 Lightroom Secrets You Should Know
    Lightroom Classic hides powerful features in plain sight that can dramatically speed up your editing workflow. Even experienced users regularly miss these tools, leading to slower editing sessions and frustrating workarounds that could be avoided entirely.[ Read More ]
  • Antigravity Launches New 360 Drone Brand for Aerial Storytelling

    Antigravity Launches New 360 Drone Brand for Aerial Storytelling
    Antigravity, a new drone brand incubated by Insta360 in collaboration with third-party partners, officially launched today. The company aims to redefine aerial exploration and storytelling by introducing drones that offer immersive 360-degree video capture, combined with user-friendly controls.[ Read More ]
  • This Budget-Friendly Zoom Is Surprisingly Capable

    This Budget-Friendly Zoom Is Surprisingly Capable
    If you're working with Sony or Nikon cameras and need a lightweight wide angle zoom that won’t kill your budget, the Tamron 16-30mm f/2.8 Di III VXD G2 might catch your attention. The focal range, combined with its fast aperture and compact form factor, makes it an appealing option, especially if you’re balancing stills and video work.[ Read More ]
  • People Don’t Understand Photography Anymore: Here’s How To Solve That

    People Don’t Understand Photography Anymore: Here’s How To Solve That
    When I was young and took my first driving lesson, the instructor explained to me what was happening with the gearbox and engine when I changed gear, and how what I did controlled the vehicle’s speed. I learned in a manual (stick shift) car. We all did back then in the UK.[ Read More ]
  • Your Photography Portfolio Is Only as Strong as Your Weakest Photo

    Your Photography Portfolio Is Only as Strong as Your Weakest Photo
    Every photographer has that sinking feeling when scrolling through their portfolio: knowing some photos are weaker than others, but keeping them anyway because they represent effort, memories, or technical challenges overcome. What most don't realize is that these "pretty good" images aren't just failing to help their careers—they're actively destroying their professional credibility and costing them clients who judge them by their weakest work.[ Read More ]
  • Gura Gear's Kiboko City Sling 6L: The Perfect Photo/Video Daytripper?

    Gura Gear's Kiboko City Sling 6L: The Perfect Photo/Video Daytripper?
    A backpack or a duffel can be great for weekend trips, but sometimes they can be overkill for a day spent out and about shooting stills or video. When you want to travel light but also give your gear a safe, comfortable ride, this new sling bag from Gura Gear might be just what you’re looking for.[ Read More ]
  • The Canon EOS 6D Was Peak DSLR

    The Canon EOS 6D Was Peak DSLR
    There's a lot to be said for the capabilities of mirrorless cameras today, with myriad autofocus options and other features at your fingertips. But there's also a lot to be said for simplicity, and it's in this regard that Canon's EOS 6D was the perfect expression of what a camera should be. That may be a hot take, but I'm not alone in that thought. London-based portrait photographer Martin Castein feels very much the same way about his 6D. As someone who worked at Canon during the 6D's heyday,
  • The Beginner Camera That Pros Still Love

    Choosing your first camera isn’t easy, especially when you want something you won’t quickly outgrow. If you’re after a beginner-friendly option with serious long-term potential, this mirrorless camera might be just what you need.[ Read More ]
23 Feb 2026

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