• Rambert: Death Trap review – a double bill of despair from Ben Duke

    Sadler’s Wells, London
    The 2017 piece Goat, made in the aftermath of London terror attacks, loses its way but last year’s Cerberus is a powerful account of griefRambert is a dance company currently firing on all cylinders, and choreographer-director Ben Duke has come up with some gems in recent years, so this double bill of the two works Duke has made for Rambert should be a corker, but it doesn’t completely fly.The older of the two pieces, Goat, was made in 2017. The first day
  • Tales of the ‘Nutcracker’ Kids

    Siblings, a Soldier from Ukraine and a New Prince: Children are the heart of this New York City Ballet classic. We hung out with four in this year’s production.

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