• On the Dance Beat: Extreme Focus, Extreme Costumes, Extreme Imagination - New York Times

    New York Times
    On the Dance Beat: Extreme Focus, Extreme Costumes, Extreme Imagination
    New York Times
    It has become routine to talk about mindfulness, but as a dance writer, I've been putting it into practice for years. That's what you do when you watch a dance. You focus your total awareness on the present. Dance disappears before you know it; writing ...
  • 18 for ’18: the talent and trends tipped for the top in 2018

    From girls with attitude on screen to new grime debuts, from Steve McQueen’s return to Tacita Dean’s London takeover, Observer writers on what to look forward to in the coming yearSomething special is happening in UK publishing. After the success of The Good Immigrant (edited by Nikesh Shukla) and titles like Reni Eddo-Lodge’s Why I’m No Longer Talking to White People About Race, there has been a renewed push to rectify the problems of an industry that has too long ignore
  • Matthew Bourne’s Cinderella review – still having a ball

    Sadler’s Wells, London
    Visual magic outweighs occasional longueurs in this welcome revival of the choreographer/director’s wartime fairytaleMatthew Bourne’s latest revival of Cinderella is an ambitious production, even by the choreographer-director’s own elevated standards. Created in 1997, the piece is set in the London blitz, to a soundtrack which overlays Prokofiev’s famous ballet score with the overhead grumble of Heinkel and Dornier bombers, and the terrifying

Follow @DanceBalletNews on Twitter!