• Miami City Ballet's “Midsummer Night's Dream” an undersea fantasy - Miami Herald

    Miami Herald
    Miami City Ballet's “Midsummer Night's Dream” an undersea fantasy
    Miami Herald
    Miami City Ballet's new production of A Midsummer Night's Dream is a shimmery, shadowy, magical jewel box of a show. Artist Michele Oka Doner's set and costumes, which transpose George Balanchine's beloved rendition of the Shakespeare play from its ...
  • Review: Ballet's 'Wild Sweet Love' cheerful, jaunty - Cincinnati.com

    Cincinnati.com
    Review: Ballet's 'Wild Sweet Love' cheerful, jaunty
    Cincinnati.com
    There's often this niggling feeling that if a ballet is fun, we can't take it seriously. If we want to experience art, the ballet must be heavy and somber. Please, please, please – abandon that outmoded notion. To help you along your path to ...
  • Christine and the Queens live review – ‘immensely French’

    Christine and the Queens live review – ‘immensely French’
    Héloïse Letissier’s strikingly original dance-art-pop adds up to a terrific Gallic-tinged treatWherever chins are stroked, you often hear that one band or another are so much better live than on record. That’s a given. Most things are better louder and in your face, the aura of the authors’ presence in the room supercharging the experience.Christine and the Queens are better live than on record, but in a different way. With no disrespect intended to Christine’
  • Denny Lafleur ready to make debut in ballet at Detroit Opera House - CBC.ca

    Denny Lafleur ready to make debut in ballet at Detroit Opera House
    CBC.ca
    Denny Lafleur just wanted the experience of trying out for a part in a ballet. But he never expected to win a part in the American Ballet Theatre's production of The Sleeping Beauty. "When they said: 'That's it, you got it,' I was terrified. I was ...
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  • A colorful 'Kaleidoscope' from Boston Ballet - The Boston Globe

    The Boston Globe
    A colorful 'Kaleidoscope' from Boston Ballet
    The Boston Globe
    “Kaleidoscope” refracts Boston Ballet through four utterly different lenses. This enticing program begins in muted shades with George Balanchine's “Kammermusik No. 2” and Leonid Yakobson's “Pas de Quatre” (by choreographers born just a week apart in ...

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