• Company C to Go Beyond Ballet For All Hallows' Eve - San Francisco Classical Voice

    San Francisco Classical Voice
    Company C to Go Beyond Ballet For All Hallows' Eve
    San Francisco Classical Voice
    Dancers in Company C Contemporary Ballet's production of <em>Arcane: A Tale of Among the tributes to the Hallowmas season, there's an enduring body of 'scary' classical music. Mussorgsky's St. John's Night on Bald Mountain comes to mind, along with ...
  • The State of City Ballet (and Its Ballerinas) - Observer

    Observer
    The State of City Ballet (and Its Ballerinas)
    Observer
    The final performance of City Ballet's fall season, on Sunday afternoon at the Koch, was a reprise of the Balanchine “black-and-white” program that has proved so popular these past years: Concerto Barocco, Monumentum/Movements, Episodes, The Four ...
  • Ballet Review: Dusseldorf Ballet - Jerusalem Post Israel News

    Jerusalem Post Israel News
    Ballet Review: Dusseldorf Ballet
    Jerusalem Post Israel News
    Hosted by the German embassy, celebrating 50 years of diplomatic relations with Israel, The Dusseldorf Ballet performed A German Requiem, by Martin Schlapfer. The work, based on Johannes Brahms' creation, enjoyed a large cast of about 40 well-trained ...
  • David Drew obituary

    David Drew obituary
    Dancer best known for his character roles who had a 56-year association with the Royal BalletAlthough his name might never have appeared at the top of the posters, David Drew, who has died aged 77, was the kind of dancer who plays an important part in a ballet company. Although, as he cheerfully admitted, he was never a classical stylist, he found his vocation as a character dancer playing “fathers”, “dukes” and assorted villains. His long association with the Royal Balle
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  • David Drew

    David Drew
    Dancer best known for his character roles who had a 56-year association with the Royal BalletAlthough his name might never have appeared at the top of the posters, David Drew, who has died aged 77, was the kind of dancer who plays an important part in a ballet company. Although, as he cheerfully admitted, he was never a classical stylist, he found his vocation as a character dancer playing “fathers”, “dukes” and assorted villains. His long association with the Royal Balle

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