Trance news

• CRAIGYCRAIG OF FATEWELL ASKS THE MACHINE A HUMAN QUESTION

  17-10-2026 12:40 via Magnetic Magazine
  
  There is a funny little trap in writing a song about AI right now: the subject is already moving faster than most songs can keep up. You can write the cleverest line in the world about machines replacing people, and by the time the record is out, the machines have already learned three new tricks and the argument feels old.
  That is why the song “You’re Not So Human” works better when it stops trying to predict the future and starts asking a simpler question: what are we trying
  
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• Marcos Baiano On Returning After Eight Years

  17-10-2026 10:44 via Magnetic Magazine
  
  Marcos Baiano (@marcosbaiano_22) launches 2HOT2HANDLE with Back To The Future, a four-track EP landing October 16 with a remix from Terence :Terry:. The release marks the first statement from a new label, but it also marks Baiano’s return after nearly eight years away from the underground scene, following a period in Berlin where he ran B.SOUL Limited and worked inside house and tech-house circles at close range.The record looks backward and forward at the same time. Baiano describes his p
  
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• Mike Nasty Explores Jazz on Endless Groove

  17-10-2026 10:21 via Magnetic Magazine
  
  I’ve always appreciated house music that gives the listener enough time to settle into it, especially when the producer knows how to introduce small musical ideas without interrupting the rhythm every eight bars. It’s a quality that can be surprisingly hard to achieve, given how much electronic music production revolves around keeping arrangements interesting, introducing new elements, and preventing repetition from becoming boring.Mike Nasty (@djmikenasty) has spent much of his care
  
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• “Fairyland” Starts Eva Elfie’s Music Era

  17-10-2026 10:21 via Magnetic Magazine
  
  The easy headline is obvious: Eva Elfie, one of the most recognizable names to come out of internet adult culture, is releasing electronic music.That is the surface-level story. It is also probably the least interesting way to talk about “Fairyland.”The more compelling angle is what she seems to be doing with all that visibility. This is not framed as a celebrity novelty track, or at least the copy is trying very hard not to let it become that. “Fairyland” is positioned a
  
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