• Paul Leonard-Morgan Talks Watson, AI, And Protecting The Creative Process

    Paul Leonard-Morgan Talks Watson, AI, And Protecting The Creative Process
    Paul Leonard-Morgan has spent much of his career moving between orchestra, electronics, film, television, games, and concert music, so the score for Watson fits neatly into the way he already thinks about composition. Released through Lakeshore Records, the Watson: Seasons 1 & 2 soundtrack follows a modern version of Dr. John Watson as he returns to medicine after Sherlock Holmes’s death, treating rare conditions while his old connection to Moriarty continues to pull him back toward in
  • Blast Box and Blast Radio: A Fantastically Simple Return to Radio That Matters

    Blast Box and Blast Radio: A Fantastically Simple Return to Radio That Matters
    Table of ContentsWhat Is Blast Radio?The Blast Radio Manifesto – Music First, Metrics LastBlast Radio’s One Missing PieceThe Broadcast Hardware: The Blast BoxBuild Quality & DesignAudio Quality That Exceeds ExpectationsBuilt for Broadcasters, Not Content CreatorsMagnetic Magazine Is Joining the AirwavesMeet Blast Box, the revolutionary new gadget that is taking radio back to the DJ, and by that I mean human selector. In an era when just about every streaming platform tells you wh
  • Blind Man’s Daughter Uses Vocal Range and Tension to Shape “Say It Again”

    Blind Man’s Daughter Uses Vocal Range and Tension to Shape “Say It Again”
    Blind Man’s Daughter just released “Say It Again” giving Ashley Wolfe another chance to define a project built around full creative control. The Denver artist wrote, produced, and performed the single herself, which gives the vocal and instrumental arrangement a shared direction from the opening section through the final release.The song sits within cinematic progressive pop, drawing from alternative music and electronic production while keeping Wolfe’s voice at the cente
  • Hraach On Why Social Media Cannot Replace The Dancefloor

    Hraach On Why Social Media Cannot Replace The Dancefloor
    Hraach (@hraachmusic) makes his SATYA debut with Shake Them, a four-track EP built around broken rhythm, controlled tension, and the kind of low-slung movement that can pull a room in without needing to hit it over the head. The Armenian-born, Barcelona-based producer made the record during a run of mornings in a new studio, and you can hear that reset in the music. The arrangements feel focused, the grooves have room to move, and nothing seems added simply to fill space.The Elektron Analog Rytm
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  • TEED On Taste, Trends, And Building A Creative Process That Lasts

    TEED On Taste, Trends, And Building A Creative Process That Lasts
    Totally Enormous Extinct Dinosaurs (@teed) returns with a new DJ-Kicks mix for !K7 Records, and the whole thing feels like a reminder that a DJ mix can still say something about where an artist is living, what they are listening to, and how they imagine people actually using the music. TEED built this one around the feeling of getting ready for a night out in Los Angeles, having a drink, putting music on with friends, and letting the energy build before anyone has even left the house.That idea g
  • TOM LECHEF On “Do It Like That” And Building A Sustainable DJ Career

    TOM LECHEF On “Do It Like That” And Building A Sustainable DJ Career
    TOM LECHEF (@tomlechef_) comes out swingin’ on Southpoint’s Catalyst Sampler with “Do It Like That,” a collaboration with JNG, which dropped on June 26th. The UK producer has been developing a sound he calls 138, built around fast 4×4 motion, dark garage swing, house drive, and bass-led underground pressure. It is a direct, rave-focused approach that has already brought radio support from BBC Introducing, KISS FM, and BBC 1Xtra.The sampler places “Do It Like T
  • BUTCHABOI Talks Southpoint, DJ Burnout, And “Rhythm Is Taking Control”

    BUTCHABOI Talks Southpoint, DJ Burnout, And “Rhythm Is Taking Control”
    BUTCHABOI (@butchaboiii) is on Southpoint’s Catalyst Sampler with “Rhythm Is Taking Control,” a track that brings organ speed garage, piano house, and UK club energy into the compilation’s wider focus on emerging talent. The sampler arrives June 26 and places BUTCHABOI alongside JNG & TOM LECHEF, No Boundariez, Olivar, and Mango, with Southpoint continuing to spotlight new producers working across UK garage, bass music, and rave-focused club sounds.Southpoint ·
  • Tai Woffinden On Discipline, Music Production, And Life After Speedway

    Tai Woffinden On Discipline, Music Production, And Life After Speedway
    Tai Woffinden’s (@twoffinden) move from professional speedway to electronic music already gives him a different starting point from most new producers, though “Mirror Mirror” feels like the point where that background begins to take shape as a clearer artistic identity.
    The three-time Speedway World Champion links with Scottish trance veteran David Forbes for the new single through Hannah Laing’s doof label, and the result leans into peak-time trance with enough atmospher
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  • Onysia’s My Soul Is… Split Series Finds Detail Inside Deep House And Minimal

    Onysia’s My Soul Is… Split Series Finds Detail Inside Deep House And Minimal
    Pictured Above: Bruno PronsatoOnysia continues its Split Series with My Soul Is…, a four-track vinyl release built around J Gabriel, Thomas Melchior, and Bruno Pronsato.The record sits in that part of deep house and minimal where small changes do most of the work. The grooves stay controlled, the arrangements leave room for detail, and the psychedelic side comes through gradually rather than forcing itself into the front of the mix. That gives the release a useful dual purpose. It can str

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